| Record ID | marc_columbia/Columbia-extract-20221130-022.mrc:43607648:1300 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-022.mrc:43607648:1300?format=raw |
LEADER: 01300pam a2200373 i 4500
001 10578609
005 20140718161425.0
008 130410s2013 nyua b 001 0 eng
010 $a 2013014673
020 $a9780199811328 (hardback : alk. paper)
020 $a0199811326 (hardback : alk. paper)
020 $a9780199811311 (pbk. : alk. paper)
020 $a0199811318 (pbk. : alk. paper)
024 $a40023021071
035 $a(OCoLC)ocn841051207
035 $a(OCoLC)841051207
035 $a(NNC)10578609
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCQ$dBTCTA$dYDXCP$dBDX$dNhCcYBP
042 $apcc
050 00 $aML3853$b.E97 2013
082 00 $a781/.11$223
245 00 $aExperience and meaning in music performance /$cedited by Martin Clayton, Byron Dueck and Laura Leante.
264 1 $aNew York :$bOxford University Press,$c[2013]
300 $ax, 232 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
650 0 $aMusic$xPerformance$xPhilosophy and aesthetics.
650 0 $aEthnomusicology.
700 1 $aClayton, Martin,$eeditor.
700 1 $aDueck, Byron,$eeditor.
700 1 $aLeante, Laura,$eeditor.
852 00 $bmus$hML3853$i.E97 2013