MARC Record from marc_columbia

LEADER: 02016cam a2200421 a 4500
001 10610255
005 20180219160111.0
008 100408s2009 cc a b 001 0 eng
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020 $a9789622090743 (hbk.)
020 $a9622090745 (hbk.)
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035 $a(OCoLC)ocn373484762
035 $a(OCoLC)373484762$z(OCoLC)326649153
035 $a(NNC)10610255
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042 $alccopycat
043 $aa-ch---
050 00 $aPN1998.3.H687$bU33 2009
082 04 $a791.430233092$222
100 1 $aUdden, James.
245 10 $aNo man an island :$bthe cinema of Hou Hsiao-hsien /$cJames Udden.
260 $aHong Kong :$bHong Kong University Press,$cc2009.
300 $aix, 226 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. [211]-220) and index.
520 8 $aThis is a book-length study of Hou Hsiao-Hsien, Taiwan's famous director of movies such as 'The Puppetmaster', 'City of Sadness', 'Flowers of Shanghai', and 'Goodbye South, Goodbye'. His body of work reflects a unique film style characterized by intricate lighting, improvisational acting, and long, static shots.
505 0 $aIntroduction: The problem of Hou /hsiao-hsien -- Hou and the Taiwanese experience -- Hou and the Taiwanese new cinema -- History in its place: City of sadness (1989) and The Puppetmaster (1993) -- Goodbye to all that: The new Hou from good men, good women (1995) to flowers of Shanghai (1998) -- Conclusion: Hou in the new millennium.
600 10 $aHou, Xiaoxian,$d1947-$xCriticism and interpretation.
650 0 $aMotion picture producers and directors$zTaiwan.
852 00 $bmil$hPN1998.3.H687$iU33 2009
852 00 $bmil$hPN1998.3.H687$iU33 2009
852 00 $bmil$hPN1998.3.H687$iU33 2009