MARC Record from marc_columbia

LEADER: 03235cam a2200457 i 4500
001 11338462
005 20150526223853.0
008 150325s2015 maua c 000 0 eng
010 $a 2015000369
019 $a894140016
020 $a9781935998211$qClark Art Institute$qalkaline paper
020 $a1935998218$qClark Art Institute$qalkaline paper
020 $a9780300211665$qYale University Press$qalkaline paper
020 $a030021166X$qYale University Press$qalkaline paper
035 $a(OCoLC)ocn898114279
035 $a(OCoLC)898114279$z(OCoLC)894140016
035 $a(NNC)11338462
040 $aDLC$erda$beng$cDLC$dYDX$dYDXCP$dBTCTA$dBDX$dERASA
042 $apcc
043 $ae------$an-us---
050 00 $aNE492.M64$bM33 2015
082 00 $a769.9/040747441$223
245 00 $aMachine age modernism :$bprints from the Daniel Cowin collection /$cJay A. Clarke and Jonathan Black.
264 1 $aWilliamstown, Massachusetts :$bClark Art Institute,$c[2015]
300 $a111 pages ;$c26 x 28 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"Published on the occasion of the exhibition Machine Age Modernism: Prints from the Daniel Cowin Collection, Clark Art Institute, Williamstown, Massachusetts, February 28-May 17, 2015."
504 $aIncludes bibliographical references and index.
520 8 $aThis group of 40 prints from the exceptional Daniel Cowin Collection captures the tumultuous aesthetic and political climate of the years surrounding World Wars I and II. An essay by Jonathan Black addresses the impact of World War I on two notable British printmakers, Edward Wadsworth and C. R. W. Nevinson. A text by Jay A. Clarke delves into the linocut movement of the 1920s and '30s, investigating how the role of style and politics impacted this movement as well as the previously unexplored position of women printmakers and the interplay between gender, craft, and decoration. Influences of Futurism, Cubism, and the short-lived but vibrant abstraction of the Vorticist movement saturate the powerful color images, which are accompanied by artist biographies. This publication illuminates the struggle of these radical printmakers as they navigated a conservative market and the harsh economic and political realities of their time.0Exhibition: The Clark Art Institute, Williamstown, USA (28.2.-17.5.2015).
505 0 $aTwo Modernist British Printmakers and the Great War : Edward Wadsworth and C.R.W. Nevinson / Jonathan Black -- Linocuts between the Wars : The Politics of Style, Process, and Gender, 1918-39 / Jay A. Clarke -- Methods and Makers : Printing Processes and Artist Biographies / Megan Kosinski -- Exhibition Checklist.
650 0 $aPrints, European$y20th century$vExhibitions.
650 0 $aModernism (Art)$zEurope$vExhibitions.
600 10 $aCowin, Daniel$xArt collections$vExhibitions.
650 0 $aPrints$xPrivate collections$zUnited States$vExhibitions.
700 1 $aClarke, Jay A.$q(Jay Anne),$eauthor.
700 1 $aBlack, Jonathan,$d1969-$eauthor.
710 2 $aSterling and Francine Clark Art Institute.
852 00 $bfaxlc$hNE492.M64$iM33 2015