MARC Record from marc_columbia

LEADER: 03055cam a2200481 i 4500
001 11373335
005 20150720131255.0
008 141017s2014 ne a b 001 0 eng d
020 $a9789078088950$qpaperback
020 $a9078088958$qpaperback
024 $a99962736413
035 $a(OCoLC)ocn893407511
035 $a(OCoLC)893407511
035 $a(NNC)11373335
040 $aERASA$beng$erda$cERASA$dOCLCO$dBTCTA$dCHVBK$dNhCcYBP
043 $ae-be---
050 4 $aML3499.B47$bF53 2014
082 04 $a781.64094931$223
100 1 $aKeunen, Gert,$d1969-$eauthor.
245 10 $aAlternative mainstream :$bmaking choices in pop music /$cGert Keunen ; translation Dutch-English, Jo Smets.
264 1 $aAmsterdam :$bValiz,$c2014.
300 $a416 pages :$billustrations ;$c21 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aAntennae series ;$vno 12
490 1 $aPart of the Fontys series 'Arts in society'
504 $aIncludes bibliographical references and index.
520 8 $aWhich mechanisms and logics of decision making and choice lie at the basis of the selections made by people working in the pop music circuit? Which general frames of thinking and evaluating do pop music professionals apply? Almost as a rule, these people will talk about the same bands, those that make the crossover to the outside world -the 'hypes'. What are the origins of these hypes? How is it possible that everybody talks about the same bands? What makes people talk about some, yet the same bands, while remaining silent about other bands? And why is it that only a small percentage of the legion of bands that stand at the gates get ample airplay, concerts, press coverage and, as a result, a sufficiently large audience? 'Alternative mainstream' deals with the music segment that lies between the 'mainstream' and the 'underground'. This segment includes genres that range from hip hop to rock and from folk to electronic music. Gert Keunen attempts to uncover which aesthetics and ideologies lie at the basis of the cultural construct that is the alternative mainstream and embeds his findings in a broader socio-economic context.
650 0 $aPopular music$xSocial aspects$zBelgium$zFlanders.
650 0 $aAlternative rock music$xSocial aspects$zBelgium$zFlanders.
650 0 $aPopular music$xProduction and direction$xSocial aspects$zBelgium$zFlanders.
650 0 $aAlternative rock music$xProduction and direction$xSocial aspects$zBelgium$zFlanders.
650 0 $aMusic trade$xDecision making$zBelgium$zFlanders.
650 0 $aMusic trade$xSocial aspects$zBelgium$zFlanders.
650 7 $aPopmusik.$0(DE-588)4046781-8$2gnd
650 7 $aMainstream.$0(DE-588)4363793-0$2gnd
650 7 $aUnderground.$0(DE-588)4997921-8$2gnd
700 1 $aSmets, Jo,$etranslator.
710 2 $aFontys Hogescholen,$eissuing body.
830 0 $aAntennae series ;$vno. 12.
830 0 $aArts in society (Amsterdam, Netherlands)
852 00 $bmus$hML3499.B47$iF53 2014g