MARC Record from marc_columbia

LEADER: 10192cam a2200733Ii 4500
001 11377824
005 20210527090258.0
008 141222t20152015ilua 000 p eng d
024 $a99987219452
024 $a99962836545
024 3 $a9781608463954
035 $a(OCoLC)ocn899155665
040 $aTOH$beng$erda$cTOH$dYDXCP$dBTCTA$dCOC$dIAD$dUKMGB$dOSU$dCGP$dIAD$dOCLCF$dGZD$dVP@$dNYP$dCDX$dGK8$dZ86$dCUS$dXII$dOCLCQ$dINR$dOCL$dDEBSZ$dXXWGB$dRIU$dGOC$dCNUTO$dACNLC$dBV1$dALD$dIOG$dIGA$dMTH$dPAU$dIMD$dVGM$dKPLCP$dIOU$dIPL$dION$dDCB$dKCP$dSFR$dTXMAR$dOCLCQ$dCHILD$dOCLCQ$dKJ6$dHCO$dON8$dGILDS$dTCJ$dCTL$dCUY$dUOK$dEYB$dNTC$dCRU$dSPP$dOCLCQ$dIBI$dCUI$dDKC$dOCLCO$dB@L$dYDX$dTJC$dMCO$dOCLCO$dNPL
019 $a871789576$a906539755$a1039478409$a1111736353$a1128040541
020 $a9781608463954$q(paperback)
020 $a1608463958$q(paperback)
020 $a9781642591057
020 $a164259105X
035 $a(OCoLC)899155665$z(OCoLC)871789576$z(OCoLC)906539755$z(OCoLC)1039478409$z(OCoLC)1111736353$z(OCoLC)1128040541
037 $bConsortium Book Sales & Dist, C/O Perseus Distribution 1094 Flex Dr, Jackson, TN, USA, 38301-5070$nSAN 631-760X
043 $an-us---
050 4 $aPS617$b.B743 2015
082 04 $a811/.608$223
245 04 $aThe BreakBeat poets :$bnew American poetry in the age of hip-hop /$cKevin Coval, Quraysh Ali Lansana, & Nate Marshall, editors.
246 30 $aBreak Beat poets
246 30 $aNew American poetry in the age of hip-hop
264 1 $aChicago :$bHaymarket Books,$c[2015]
264 4 $c©2015
300 $axxii, 350 pages :$bportraits ;$c23 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aThe BreakBeat Poets ;$vVolume 1
500 $aPrecedes BreakBeat poets volume two: Black girl magic.
505 00 $tAn (i)witness say he still had the mike in his hand /$rRandall Horton$g(1961) --$tTurning the tables ;$tWednesday poem /$rJoel Dias-Porter aka DJ Renegade$g(1962) --$tAn excerpt from Crank shaped notes /$rThomas Sayers Ellis$g(1963) --$tMascot ;$tCrack house ;$tSeventy-first & King Drive /$rQuraysh Ali Lansana$g(1964) --$tDuck, duck, redux ;$tPost-white /$rEvie Shockley$g(1965) --$tEverything you wanted to know about hip hop but were afraid to be hipped for fear of being hopped ;$tThe keepin' it real awards /$rTony Medina$g(1966) --$tShit to write about ;$tWord to everything I love ;$tWriting about what you know /$rWillie Perdomo$g(1967) --$tAgate /$rMario$g(1967) --$tHonorific or black boy to black boy ;$tFast -- how I knew ;$tIn defense of the code-switch or why you talk like that or why you gotta always be cussing /$rRoger Bonair-Agard$g(1968) --$tShine (for Joe Bataan) ;$tAll night /$rLynne Procope$g(1969) --$tB-boy infinitives ;$tKundiman ending on a theme from t la rock ;$tA note to Thomas Alva ;$tOde to the cee-lo players /$rPatrick Rosal$g(1969) --$tUntitled /$rTracie Morris --$tAmerica's pastime /$rJason Carney$g(1970) --$tWho you callin' a jynx? (after mista popo) ;$tDamn right it's betta than yours ;$tGamin' gabby -- /$rLaTasha N. Nevada Diggs$g(1970) --$tHood /$rMitchell L.H. Douglas (1970) --$tManifesto, or ars poetica #2 ;$tPreface to a twenty volume homicide note /$rKrista Franklin (1970) --$tBeat boxing ;$tRobot music /$rAdrian Matejka$g(1971) --$tmic check, 1-2 /$rJessica Care Moore$g(1971) --$tOde to the crossfader ;$t1989 ;$tRenegades of funk /$rJohn Murillo$g(1971) --$tStitches ;$tPull down the earth ;$tThis is a test /$rFrancine J. Harris$g(1972) --$tHow to get over (senior to freshman) ;$thow to get over (for my niggas) ;$thow to get over (for Kanye) /$rT'ai Freedom Ford$g(1973) --$tBreak (rebirth) ;$tBreak (sister) ;$tBreak (embargo) /$rSuheir Hammad$g(1973) --$tThe world tells how the world ends ;$tObject /$rMarty McConnell$g(1973) --$tBronx bombers ;$tWhat I saw was not your funeral ;$tAt my best /$rJohn Rodriguez$g(1973-2013) --$tPaper bag poems ;$tGlobal warming blues ;$tSunday ;$tPossible (for Amiri Baraka) /$rMariahadessa Ekere Tallie$g(1973) --$tHip hop analogies ;$tSwitch /$rTara Betts$g(1974) --$tFrom all convulsions /$rPaolo Javier$g(1974) --$tQuantum spit ;$tNo homo ;$tDrop it like it's hottentot venus /$rDouglas Kearney$g(1974) --$tA prayer fo mama Brenda Matthews (warrior brew) ;$tAfter an artis(t) talk /$rAvery R. Young$g(1974) --$tThe future /$rLemon Andersen$g(1975) --
505 00 $tThe message ;$tAstronomy (8th light) /$rMichael Cirelli$g(1975) --$tThe crossover ;$tJewtown ;$tMolemen beat tapes ;$tWhite on the block /$rKevin Coval$g(1975) --$tMotherland /$rJericho Brown$g(1976) --$tWhen 12 play was on repeat ;$tUpon viewing the death of Basquiat ;$tnameless /$rMahogany L Browne$g(1976) --$tElegy in gold ;$tBreak /$rAracelis Girmay$g(1977) --$tSay my name ;$tOld ladies and dope boys ;$tThese are the breaks /$rIdris Goodwin$g(1977) --$tCorners /$rEnzo Silon Surin$g(1977) --$tIt's just begun /$rMayda Del Valle$g(1978) --$tCiphers pt. 1 ;$tVigil pt. 1 /$rDenizen Kane$g(1978) --$tI have a drone /$rPaul Martinez Pompa --$tCrews ;$tSlang ;$tO.P.P. /$rKyle Dargan$g(1980) --$t100 bells ;$tNocturne in need of a bitch ;$tBlossoms in the dark ;$tSelf-portrait as slinky /$rTarfia Faizullah$g(1980) --$tElegy for a trojan ;$tOde to a star fig ;$tOde to gentrification ;$tOde to a killer whale /$rSamantha Thornhill$g(1980) --$tHarbor /$rAleshea Harris$g(1981) --$tEvolution of my block ;$tEvolution of my profile ;$tGTA: San Andreas (or, 'Grove Street bitch!') /$rJacob Saenz$g(1982) --$tBint ibrahim /$rNadia Sulayman$g(1982) --$tHa ha hum ;$tAdventures /$rSarah Blake$g(1984) --$tIf you don't know /$rAdam Falkner (1984) --$tSmall poems for big /$rChinaka Hodge (1984) --$tStakes is high ;$tWhen I'm alone in my room sometimes I stare at the wall, and in the back of my mind I hear my conscience call ;$tArs poetica in the mode of j-live$tBonita applebum /$rMarcus Wicker$g(1984) --$tSelf portrait with gunshot vernacular ;$tSelf portrait from the other side ;$tThaumaturgy /$rMichael Mlekoday$g(1985) --$tTo the notebook kid /$rEva Ewing --$tA remix for remembrance, Stockholm syndrome /$rKristiana Coloʹn (1986) --$tIn search of black birds /$rCiara Miller$g(1987) --$tLet me handle my business, damn /$rMorgan Parker$g(1987) --$tWhen asked about my hometown: an admission ;$tWhen asked about my hometown: an anecdote ;$tLove letter to Zack, the black power ranger /$rJoshua Bennett$g(1988) --$tWhen I put my hands in the air it's praise /$rAlysia Nicole Harris$g(1988) --$tWinthrop Ave. ;$tWe house: after Krista Franklin's definition of funk /$rBritteney Black Rose Kapri$g(1988) --$tLegend ;$tGhazal for my sister ;$tConspiracy: A suite ;$tGravity /$rAngel Nafis$g(1988) --$tOde to the first white girl I ever loved ;$tHome court /$rJose Olivarez$g(1988) --
505 00 $tNo country for black boys /$rJoy Priest$g(1988) --$tAlways & forever ;$tSelf-portrait as exit wounds ;$tPrayer for the newly damned ;$tDaily bread /$rOcean Vuong$g(1988) --$tWhen tip drill comes on at the frat party or, when refusing to twerk is a radical form of self-love ;$tUnemployment ;$tPluto shits on the universe /$rFatimah Asghar$g(1989) --$tPussy monster ;$tImpulse buy /$rFranny Choi$g(1989) --$tOn caskets ;$tPrelude ;$tPicking flowers;$tjuke /$rNate Marshall$g(1989) --$tBroken ghazal in the voice of my brother jacob /$rAaron Samuels$g(1989) --$tCue the gangsta rap when my knees bend ;$tTwerk (v.) ;$tDinosaurs in the hood ;$tDear white America /$rDanez Smith$g(1989) werk (v.) --$tDefense ;$tBlk girl art ;$tDeep in the homeroom of doom ;$tDaddy dozens /$rJamila Woods$g(1989) --$tWhat the eyes saw /$rBenjamin Alfaro$g(1990) --$tA suite for ol' dirty$rSafia Elhillo$g(1990) --$tJuicy (an erasure) /$rAziza Barnes$g(1992) --$tBadu interviews Lamar (an erasure) ;$tPolice /$rCamonghne Felix$g(1992) --$tBeat writers /$rSteven Willis$g(1992) --$tFour elements of ghostdance /$rReed Bobroff$g(1993) --$tGrand slam /$rMalcolm London$g(1993) --$tThis, here /$rKush Thompson$g(1994) --$tMy niece's hip-hop /$rE'mon McGee$g(1996) --$tMurder is my name /$rAngel Pantoja$g(1997) --$tLesson one /$rNile Lansana$g(1997) and$rOnam Lansana$g(1999) --$tArt. artifice, & artifact /$rQuraysh Ali Lansana --$tArtist statement /$rT'ai Freedom Ford --$tArtist statement /$rMichael Mlekoday --$tArtist statement / Douglas Kearney -- Artist statement /$rAngel Nafis --$tA locus of control and the erasure /$rAziza Barnes --$tLife is good: How hip-hop channels duende /$rTara Betts --$tJourneying to the break: The cost of the pilgrimage /$rRoger Bonair-Agard --$tThe art of the mistake: some notes on breaking as making /$rPatrick Rosal --$tBlueprint for BreakBeat writing /$rNate Marshall.
520 $aPresents a anthology of poems by and for the hip-hop generation ... It includes more than four decades of poets and covers the birth to the now of hip-hop culture and music and style. --Page xv.
650 0 $aHip-hop$xInfluence$vPoetry.
650 0 $aAmerican poetry$y20th century.
650 0 $aAmerican poetry$y21st century.
650 0 $aAmerican poetry$xAfrican American authors.
650 1 $aAmerican poetry$y20th century.
650 1 $aAmerican poetry$y21st century.
650 1 $aAmerican poetry$xAfrican American authors.
650 1 $aAmerican poetry.
650 7 $aAmerican poetry.$2fast$0(OCoLC)fst00807348
650 7 $aAmerican poetry$xAfrican American authors.$2fast$0(OCoLC)fst00807349
650 7 $aHip-hop$xInfluence.$2fast$0(OCoLC)fst01765741
650 7 $aHip-hop$xInfluence$vPoetry.$2sears
650 7 $aAmerican poetry$xAfrican American authors.$2sears
650 7 $aAmerican poetry$y21st century.$2sears
650 7 $aAmerican poetry$y20th century.$2sears
648 7 $a1900-2099$2fast
655 7 $aPoetry.$2lcgft
655 7 $aPoetry.$2fast$0(OCoLC)fst01423828
700 1 $aCoval, Kevin,$eeditor,$ewriter of introduction.
700 1 $aLansana, Quraysh Ali,$eeditor.
700 1 $aMarshall, Nate,$eeditor.
710 2 $aHaymarket Books,$epublisher.
830 0 $aBreakBeat poets series ;$v1.
852 00 $bglx$hPS617$i.B74 2015g
852 0 $bbar$hPS617$i.B743 2015