MARC Record from marc_columbia

LEADER: 02968pam a2200529 i 4500
001 11417559
005 20150720134035.0
008 141222t20152015caua b 001 0 eng c
010 $a 2014049385
020 $a9780520285569$qhardcover$qalkaline paper
020 $a0520285565$qhardcover$qalkaline paper
020 $z9780520960978$qelectronic book
020 $z0520960971$qelectronic book
024 $a40024921702
035 $a(OCoLC)ocn893709342
035 $a(OCoLC)893709342
035 $a(NNC)11417559
040 $aCU-S/DLC$beng$erda$cCUS$dDLC$dYDXCP$dBTCTA$dBDX$dOCLCO$dOCLCF$dERASA$dNhCcYBP
042 $apcc
050 00 $aML410.B42$bR49 2015
082 00 $a780.943/09034$223
100 1 $aReynolds, Christopher A.,$eauthor.
245 10 $aWagner, Schumann, and the lessons of Beethoven's Ninth /$cChristopher Alan Reynolds.
264 1 $aOakland, California :$bUniversity of California Press,$c[2015]
264 4 $c©2015
300 $axiv, 212 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aWagner's Faustian understanding of Beethoven's Ninth -- The impact of the Ninth on the Flying Dutchman -- Wagner, thematic dispersion, and contrary motion -- Schumann, thematic dispersion, and contrary motion -- Late Schumann, Wagner, and Bach -- Brahms's triple response to the Ninth -- Wagner and Schumann.
520 $a"Reynolds shows that the stylistic advances made by Richard Wagner and Robert Schumann in 1845-46 stemmed from a deepened understanding of Beethoven's techniques and strategies in the Ninth Symphony, particularly the use of counterpoint involving contrary motion. The trail of influences that Reynolds explores extends back to the music of Bach and ahead to Tristan and Isolde, as well as to Brahms's First Symphony."--Provided by publisher.
600 10 $aBeethoven, Ludwig van,$d1770-1827.$tSymphonies,$nno. 9, op. 125,$rD minor.
600 10 $aBeethoven, Ludwig van,$d1770-1827$xInfluence.
600 10 $aBeethoven, Ludwig van,$d1770-1827$xCriticism and interpretation.
600 10 $aWagner, Richard,$d1813-1883$xCriticism and interpretation.
600 10 $aSchumann, Robert,$d1810-1856$xCriticism and interpretation.
650 0 $aSymphonies$xAnalysis, appreciation.
600 17 $aBeethoven, Ludwig van,$d1770-1827.$2fast$0(OCoLC)fst00042803
600 17 $aSchumann, Robert,$d1810-1856.$2fast$0(OCoLC)fst00000105
600 17 $aWagner, Richard,$d1813-1883.$2fast$0(OCoLC)fst00040723
630 07 $aSymphonies (Beethoven, Ludwig van)$2fast$0(OCoLC)fst01356350
650 7 $aInfluence (Literary, artistic, etc.)$2fast$0(OCoLC)fst00972484
650 7 $aSymphonies$xAnalysis, appreciation.$2fast$0(OCoLC)fst01140874
648 7 $a1800 - 1899$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
852 00 $bmus$hML410.B42$iR49 2015