MARC Record from marc_columbia

LEADER: 03979cam a2200457 i 4500
001 11444106
005 20150720134456.0
008 150130s2015 enka b 001 0 eng
010 $a 2014049965
020 $a9781137468949 (hardback)
020 $a1137468947 (hardback)
024 $a40024944706
035 $a(OCoLC)ocn894540457
035 $a(OCoLC)894540457
035 $a(NNC)11444106
040 $aDLC$erda$beng$cDLC$dYDX$dYDXCP$dBTCTA$dBDX$dOCLCF$dCDX$dNYP
042 $apcc
050 00 $aPN1995.9.H5$bF58 2015
082 00 $a791.43/658$223
084 $aHIS000000$aPER004030$aSOC052000$2bisacsh
245 00 $aFilm, history and memory /$cedited by Jennie M. Carlsten and Fearghal McGarry.
264 1 $aHoundmills, Basingstoke, Hampshire ;$aNew York :$bPalgrave Macmillan,$c2015.
300 $axiii, 209 pages :$billustrations ;$c23 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
520 $a"Film, History and Memory examines the relationship between film and history, exploring the multiplicity of ways in which films depict, contest, reinforce or subvert historical understanding. This volume broadens the focus from 'history', the study of past events, to 'memory', the processes - individual, generational, collective or state-driven - by which meanings are attached to the past. This approach acknowledges how the significance of the historical film lies less in its empirical qualities than in its powerful capacity to influence public thinking and discourses about the past, whether by shaping collective memory, popular history and social memory, or by retrieving suppressed or marginalized histories. This study aims to contribute to the growing literature on history and film through the breadth of its approach, both in disciplinary and geographical terms. Contributors are drawn not only from the discipline of history but also film studies, film practice, art history, languages and literature, and cultural studies"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction / Jennie M. Carlsten and Fearghal McGarry -- A Very Long Engagement : The Use of Cinematic Texts in Historical Research / Gianluca Fantoni -- Screening European Heritage : Negotiating Europe's Past via the 'Heritage Film' / Axel Bangert, Paul Cooke and Rob Stone -- Confronting Silence and Memory in Contemporary Spain : The Grandchildren's Perspective / Natalia Sanjuan Bornay -- The Enchantment and Disenchantment of the Archival Image : Politics and Affect in Contemporary Portuguese Cultural Memories / Alison Ribeiro de Menezes -- Foundational Films : The Memorialization of Resistance in Italy, France, Belarus and Yugoslavia / Mercedes Camino -- Amnesty With a Movie Camera : Andrew J. Hennlich -- History, Fiction, and the Politics of Corporeality in Pablo Larrain's Dictatorship Trilogy / Nike Jung -- Remember 1688? : The Draughtsman's Contract, the "Glorious Revolution" and Public Memory / James Ward -- Not Thinking Clearly : History and Emotion in the Recent Irish Cinema / Jennie Carlsten -- Music and Montage : Punk, Speed and Histories of the Troubles / Liz Greene -- Reflections on What the Filmmaker Historian Does (to History) / Robert A. Rosenstone.
650 0 $aHistorical films$xHistory and criticism.
650 0 $aHistory in motion pictures.
650 0 $aMotion pictures and history.
650 7 $aPERFORMING ARTS / Film & Video / History & Criticism.$2bisacsh
650 7 $aSOCIAL SCIENCE / Media Studies.$2bisacsh
650 7 $aHistorical films.$2fast$0(OCoLC)fst00958120
650 7 $aHistory in motion pictures.$2fast$0(OCoLC)fst01903472
650 7 $aMotion pictures and history.$2fast$0(OCoLC)fst01027408
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aCarlsten, Jennie M.,$d1970-$eeditor.
700 1 $aMcGarry, Fearghal,$eeditor.
852 00 $bglx$hPN1995.9.H5$iF58 2015