MARC Record from marc_columbia

LEADER: 02012cam a2200385Ii 4500
001 11499038
005 20151117180311.0
008 150626s2015 enka b 000 0 eng d
015 $aGBB546833$2bnb
019 $a891671709$a912238690$a913788669
020 $a9781783204335$q(Print)
020 $a1783204338$q(Print)
020 $z9781783204359$q(ePUB)
020 $z9781783204342$q(ePDF)
035 $a(OCoLC)ocn891613634
035 $a(OCoLC)891613634$z(OCoLC)891671709$z(OCoLC)912238690$z(OCoLC)913788669
035 $a(NNC)11499038
040 $aBTCTA$beng$erda$cBTCTA$dYDXCP$dOCLCO$dOCLCF$dMUU$dNLE$dCDX$dBDX$dIBZ$dZCU$dNDD$dLML$dZCU
050 4 $aPN1995.9.D55$bF556 2015
082 04 $a791.4366$223
245 00 $aFilm on the faultline /$cedited by Alan Wright.
246 3 $aFilm on the fault line
264 1 $aBristol, UK ;$aChicago, USA :$bIntellect,$c2015.
300 $avi, 292 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references.
520 $a"Film has always played a crucial role in the imagination of disaster. The earthquake, especially, transforms our understanding of the limits and possibilities of cinema, as well as of life itself. After major quakes in countries as dissimilar as Japan, Chile, Iran, and New Zealand, film-makers have responded with films that challenge ingrained social, political, ethical and philosophical categories of thinking and being in the world. Film on the Faultline explores the fractious relationship between cinema and seismic experience and addresses the important role that cinema can play in the wake of such events."--Back cover.
650 0 $aDisaster films$xHistory and criticism.
650 0 $aMotion pictures$xHistory.
650 0 $aEarthquakes$xPsychological aspects.
650 0 $aEarthquakes$xSocial aspects.
700 1 $aWright, Alan,$d1961-$eeditor.
852 00 $bglx$hPN1995.9.D55$iD55 2015g