MARC Record from marc_columbia

LEADER: 04088cam a2200481 i 4500
001 11048963
005 20150216132649.0
008 140319s2014 enk b 001 0 eng
010 $a 2014010623
019 $a884743863$a891031295
020 $a9780262526616 (pbk. : alk. paper)
020 $a0262526611 (pbk. : alk. paper)
020 $a9780854882304 (pbk.)
020 $a0854882308 (pbk.)
024 $a99961000238
035 $a(OCoLC)875055911$z(OCoLC)884743863
035 $a(OCoLC)ocn875055911
035 $a(NNC)11048963
040 $aDLC$beng$erda$cDLC$dYDX$dYDXCP$dBTCTA$dBDX$dMYG$dOCLCF$dUKMGB$dERASA$dUAB
042 $apcc
050 00 $aN6537.M3635$bA35 2014
082 00 $a709.2$223
245 00 $aON&BY Christian Marclay /$cedited and introduced by Jean-Pierre Criqui.
246 3 $aOn and by Christian Marclay
246 30 $aChristian Marclay
264 1 $aLondon ;$aCambridge, MA :$bThe MIT Press,$c2014.
300 $a239 pages ;$c21 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aON&BY
504 $aIncludes bibliographical references (pages 230-232) and index.
505 00 $tIntroduction : Words without songs /$rJean-Pierre Criqui --$tBy Christian Marclay.$tEarly years : in conversation with Douglas Kahn, 2003 ;$tIn conversation with Bice Curiger, 1997 ;$tIn conversation with Michael Snow, 2000 ;$tWords and music : in conversation with Jan Estep, 2001 ;$tIn conversation with Philip Sherburne, 2005 ;$tIn conversation with David Toop, 2008 ;$tIn conversation with student at the University of Rennes, 2009 ;$tHerb Alpert's Tijuana brass, Whipped cream and other delights;$tNever the same twice : in conversation with Russell Fergusun, 2010 ;$tMusic I've seen : in conversation with Frances Richard, 2013 --$tOn Christian Marclay.$tChristian Marclay /$rDennis Cooper ;$tCorpse on a pink record cover dancing upside down /$rWayne Koestenbaum ;$tThe aesthetic politics of Christian Marclay's gramophonia /$rThomas Y. Levin ;$tJumpcut jockey /$rRahma Khazam ;$tPerformative image, inscribed, even : the fluid sound worlds of Christian Marclay /$rDavid Toop ;$tSound effects /$rTom Morton ;$tThe world according to Christian Marclay /$rJean-Pierre Criqui ;$tChristian Marclay's photophonography /$rClément Chéroux ;$tThe sounds of Christmas /$rRob Young ;$tThe breaks /$rChristoph Cox ;$tImage on the run /$rJean-Pierre Criqui ;$tClock time /$rRosalind Krauss ;$tKilling Orson Welles at midnight /$rZadie Smith ;$tPainting in slang /$rDavid Toop ;$tUntimely detritus : Christian Marclay's cyanotypes /$rNoam M. Elcott --$tSelected bibliography and discography.
520 8 $aInfluencing a whole generation of artists, musicians and theorists, since the late 1970s Christian Marclay has explored the interplay between sound, audio cultures and art across a diversity of media: performance, sculpture, photography, collage, musical composition, film, video and installation. Born in 1955, Marclay first became internationally known in the 1980s for his sculptures and reassembled readymades generated from evocative materials such as fragmented vinyl records or album covers. His ambitious multi-screen installations such as 'Video Quartet' (2002), 'Crossfire' (2007) and 'The Clock' (2010) have entranced audiences into contemplating the complexities of time and narrative and the role of sound in their experience and representation. Marclay has also collaborated musically with Shelley Hirsch, the Kronos Quartet, Zeena Parkins, Elliott Sharp, Sonic Youth and John Zorn, among many others.
600 10 $aMarclay, Christian$xWritten works.
600 10 $aMarclay, Christian$xCriticism and interpretation.
600 17 $aMarclay, Christian.$2fast$0(OCoLC)fst00281709
650 7 $aAuthorship.$2fast$0(OCoLC)fst00822442
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aCriqui, Jean-Pierre,$eeditor.
700 12 $aMarclay, Christian.$tEssays.$kSelections.
830 0 $aOn & by.
852 00 $boff,fax$hN6537.M3635$iA35 2014