MARC Record from marc_columbia

LEADER: 02299cam a2200469 i 4500
001 11077257
005 20150119143455.0
008 140616s2014 enk b 001 0 eng
010 $a 2014018832
020 $a9781137375483
020 $a1137375485
024 $a40024334393
035 $a(OCoLC)881518421
035 $a(OCoLC)ocn881518421
035 $a(NNC)11077257
040 $aDLC$erda$beng$cDLC$dYDX$dYDXCP$dBTCTA$dBDX$dOCLCF$dUKMGB$dCDX
042 $apcc
050 00 $aPN1995.25$b.W79 2014
082 00 $a791$223
100 1 $aWoycicki, Piotr,$d1983-$eauthor.
245 10 $aPost-cinematic theatre and performance /$cPiotr Woycicki, University of Aberystwyth, UK.
264 1 $aHoundmills, Basingstoke, Hampshire ;$aNew York :$bPalgrave Macmillan,$c2014.
300 $ax, 268 pages ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aPalgrave studies in performance and technology
504 $aIncludes bibliographical references and index.
505 0 $aThe post-cinematic landscape -- Décalage and mediaphors in Robert Lepage's Elsinore and the Andersen project -- A cinematic montage in Roadmetal sweetbread and Mare's nest -- Guilty pleasures and intermedial archaeologies in Wooster Group's House/Lights and Hamlet -- The ethics of perception in Wunschkonzert -- Disorienting landscapes in Hotel Methuselah -- Pedipulating "footage" in Duncan Speakman's As if it were the last time -- Landscapes and aporias in Lars Von Trier's Dogville -- Conclusion.
650 0 $aMotion pictures and theater.
650 0 $aExperimental films$xHistory and criticism.
650 0 $aExperimental theater$xHistory$y21st century.
650 0 $aMotion pictures in the theater.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
648 7 $a2000 - 2099$2fast
650 7 $aExperimental films.$2fast$0(OCoLC)fst00918452
650 7 $aExperimental theater.$2fast$0(OCoLC)fst00918508
650 7 $aMotion pictures and theater.$2fast$0(OCoLC)fst01027423
650 7 $aMotion pictures in the theater.$2fast$0(OCoLC)fst01744775
830 0 $aPalgrave studies in performance and technology.
852 00 $bglx$hPN1995.25$i.W79 2014