MARC Record from marc_columbia

LEADER: 02248pam a2200469 i 4500
001 11077324
005 20150216132928.0
008 140320s2015 nyua b 001 0 eng
010 $a 2014002191
020 $a9780199337026$qhardcover
020 $a0199337020$qhardcover
020 $a9780199337033$qpbk.
020 $a0199337039$qpbk.
024 $a40024334335
035 $a(OCoLC)897858199
035 $a(OCoLC)ocn897858199
035 $a(NNC)11077324
040 $aDLC$beng$erda$cDLC$dOCLCO$dBDX$dBTCTA$dOCLCF$dYDXCP$dUKMGB$dOCLCQ$dNhCcYBP
042 $apcc
043 $ae------$an-us---
050 00 $aPN1995.9.E96$bS48 2015
082 00 $a791.43/6$223
100 1 $aSitney, P. Adams,$eauthor.
245 14 $aThe cinema of poetry /$cP. Adams Sitney.
264 1 $aNew York, NY :$bOxford University Press,$c[2015]
300 $axii, 276 pages ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: An autobiography of enthusiasms -- Part 1. Poetry and the narrative cinema in Europe -- Pier Paolo Pasolini and "the cinema of 'poetry'" -- Dimitri Kirsanoff's Ménilmontant -- Ingmar Bergman's Primal scene -- Andrey Tarkovsky's concept of poetry -- Part 2. Poetry and the American avant-garde cinema -- The dialectic of experience in Joseph Cornell's films -- Lawrence Jordan's Magical instructions -- Stan Brakhage's poetics -- 8 Nathaniel Dorsky, Jerome Hiler, and the polyvalent film -- Gregory J. Markopoulos and the Temenos.
650 0 $aExperimental films$zEurope$xHistory and criticism.
650 0 $aExperimental films$zUnited States$xHistory and criticism.
650 0 $aPoetry in motion pictures.
650 0 $aMotion pictures$xAesthetics.
650 7 $aExperimental films.$2fast$0(OCoLC)fst00918452
650 7 $aMotion pictures$xAesthetics.$2fast$0(OCoLC)fst01027288
650 7 $aPoetry in motion pictures.$2fast$0(OCoLC)fst01904292
651 7 $aEurope.$2fast$0(OCoLC)fst01245064
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
852 00 $bglx$hPN1995.9.E96$iS48 2015