MARC Record from marc_columbia

LEADER: 07426cam a2200385 i 4500
001 11138548
005 20150324213819.0
008 140627s2014 nyu 000 0 eng
010 $a 2014009783
020 $a9781594205989
020 $a1594205981
024 $a99961213439
035 $a(OCoLC)ocn870919769
035 $a(OCoLC)870919769
035 $a(NNC)11138548
040 $aDLC$beng$erda$cDLC$dIG#$dYDXCP$dBTCTA$dBDX$dBUR$dABG$dOCLCQ
043 $an-us---
050 00 $aPS536$b.B595 2014
082 00 $a810.8/0052$223
245 00 $aBohemians, bootleggers, flappers, and swells :$bthe best of early Vanity fair /$cedited by Graydon Carter ; introduction by Graydon Carter ; with David Friend.
246 3 $aBohemians, bootleggers, flappers & swells
264 1 $aNew York, New York :$bThe Penguin Press,$c2014.
300 $a420 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
505 00 $tVanity Fair and the birth of the new /$rGraydon Carter --$g1910s.$tThe physical culture peril$g(May 1914) /$rP.G. Wodehouse ;$tAugust Strindberg$g(October 1914) /$rGeorg Brandes ;$tThe world's new art centre$g(January 1915) /$rFrederick James Gregg ;$tAre odd women really odd?$g(June 1915) /$rHyman Strunsky ;$tNew York women who earn $50,000 a year$g(August 1915) /$rAnne O'Hagan ;$tAny porch (poetry)$g(September 1915) /$rDorothy Rothschild (Parker) ;$tFootball and the new rules$g(September 1915) /$rWalter Camp ;$tWar scenes across the Canadian border$g(October 1915) /$rStephen Leacock ;$tAre the rich happy?$g(December 1915) /$rStephen Leacock ;$tAn Afghan in America$g(February 1916) /$rSyyed Shaykh Achmed Abdullah ;$tThe art of being a bohemian$g(March 1916) /$rRobert C. Benchley ;$tWhy I haven't married$g(October 1916) /$rDorothy Rothschild (Parker) ;$tMen: a hate song (poetry)$g(February 1917) /$rDorothy Rothschild (Parker) ;$tThe shifting night life of New York$g(February 1917) /$rJames L. Ford ;$tActresses: a hate song (poetry)$g(May 1917) /$rDorothy Rothschild (Parker) ;$tRelatives: a hate song (poetry)$g(August 1917) /$rDorothy Rothschild (Parker) ;$tGeorge Jean Nathan$g(November 1917) /$rThe editors ;$tFrom left to right in the movies$g(January 1918) /$rDouglas Fairbanks ;$tExcursions into Hunland$g(March 1918) /$rLieut. E.M. Roberts, R.F.C. ;$tThe great American army (poetry)$g(June 1918) /$rGertrude Stein ;$tThe gateway to an artificial paradise: the effects of hashish and opium compared$g(October 1918) /$rArthur Symons ;$tOur office: a hate song (poetry)$g(May 1919) /$rDorothy Parker --$g1920s.$tWilliam Somerset Maugham: a pen portrait by a friendly hand$g(January 1920) /$rHugh Walpole ;$tMy autobiography$g(January 1920) /$rA.A. Milne ;$tThe higher education on the screen$g(February 1920) /$rRobert E. Sherwood ;$tMr. Wilson's inelastic intelligence$g(February 1920) /$rJohn Jay Chapman ;$tThe lamps of Limehouse (short story)$g(March 1920) /$rThomas Burke ;$t"Hippocketiquette"$g(April 1920) /$rRichard Connell ;$tPoems$g(November 1920) /$rEdna St. Vincent Mlllay ;$tThis is a magazine$g(December 1920) /$rF. Scott Fitzgerald ;$tSport for art's sake$g(September 1921) /$rHeywood Broun ;$tMemoirs of court favourites$g(November 1921) /$rNoël Coward ;$tJames Joyce$g(March 1922) /$rDjuna Barnes ;$tWithout the cane and the derby (poetry)$g(May 1922) /$rCarl Sandburg ;$tI like Americans: they are so ridiculous (poetry)$g(August 1922) /$rEdna St. Vincent Millay (pseudonym Nancy Boyd) ;$tThe public and the artist$g(October 1922) /$rJean Cocteau ;$tThe high-low controversy$g(January 1923) /$rRandolph Dinwiddie ;$tThe early days of Pablo Picasso$g(May 1923) /$rMax Jacob ;$tJazz: a brief history$g(June 1923) /$rSamuel Chotzinoff ;$tPoems$g(July 1923) /$rT.S. Eliot ;$tAn essay on behaviorism$g(October 1923) /$rBertrand Russell ;$tThe woman behind the mask (short story)$g(November 1924) /$rColette ;$tWhen Calvin Coolidge laughed$g(April 1925) /$re. e. cummings ;$tWhat, exactly, is modern?$g(May 1925) /$rAldous Huxley ;$tPoems$g(September 1925) /$rLangston Hughes ;$tThe education of Harpo Marx$g(March 1926) /$rAlexander Woollcott ;$tHello, big boy$g(June 1926) /$rSherwood Anderson ;$tA western reunion (short story, in telegrams)$g(August 1926) /$rGeoffrey Kerr ;$tLiberty, equality, fraternity$g(December 1926) /$rClarence Darrow ;$tSome American expatriates$g(April 1927) /$rFord Madox Ford ;$tBlazing publicity$g(September 1927) /$rWalter Lippmann ;$tA primer of Broadway slang$g(November 1927) /$rWalter Winchell ;$tRussia: the great experiment$g(June 1928) /$rTheodore Dreiser ;$tDo women change?$g(April 1929) /$rD.H. Lawrence ;$tIf you are going to Antibes$g(July 1929) /$rAlexander Woollcott ;$tAn American Museum of Modern Art$g(November 1929) /$rAlfred H. Barr Jr. ;$tThe extremely moving pictures$g(December 1929) /$rThomas Mann --$g1930s.$tA stock market post-mortem$g(January 1939) /$rDavid Cort ;$tA portrait of Joan Crawford$g(June 1930) /$rDouglas Fairbanks Jr. ;$tA close-up of Cole Porter$g(February 1931) /$rCharles G. Shaw ;$tTwilight of the economic gods$g(April 1931) /$rJay Franklin ;$tBanks and the collapse of money values$g(January 1932) /$rJ.M. Keynes ;$tThe babe$g(May 1932) /$rPaul Gallico ;$tBootlegging for Junior$g(June 1932) /$rDalton Trumbo ;$tThe Jimmy Walker era$g(December 1932) /$rAlva Johnston ;$tWhen lovely women stooped to the follies$g(February 1933) /$rHelen Brown Norden ;$tThe moll in our midst$g(August 1934) /$rStanley Walker ;$tLittle Caruso (short story)$g(October 1934) /$rWilliam Saroyan ;$tTarzan;ape-man into industry$g(January 1935) /$rDarwin l. Teilhet ;$tThe grand guillotiner of Paris$g(May 1935) /$rJanet Flanner ;$tThe bums at sunset (short story)$g(October 1935) /$rThomas Wolfe ;$tGolden swank$g(February 1936) /$rAllene Talmey.
520 $aFor the magazine's centenary celebration, an anthology of pieces from the early golden age of Vanity Fair. Editor Graydon Carter introduces these fabulous pieces written between 1913 and 1936, when the magazine published a murderers' row of the world's leading literary lights. It features great writers on great topics, including F. Scott Fitzgerald on what a magazine should be, Clarence Darrow on equality, D.H. Lawrence on women, e.e. cummings on Calvin Coolidge, John Maynard Keynes on the collapse in money value, Thomas Mann on how films move the human heart, Alexander Woollcott on Harpo Marx, Carl Sandburg on Charlie Chaplin, Djuna Barnes on James Joyce, Douglas Fairbanks, Jr., on Joan Crawford, and Dorothy Parker on a host of topics ranging from why she hates actresses to why she hasn't married. These essays reflect the rich period of their creation while simultaneously addressing topics that would be recognizable in the magazine today, such as how women should navigate work and home life; our destructive fascination with the entertainment industry and with professional sports; the collapse of public faith in the financial industry; and, as Aldous Huxley asks herein, "What, exactly, is modern?"--Publisher description.
650 0 $aAmerican literature$y20th century.
650 0 $aLiterature, Modern$y20th century.
651 0 $aUnited States$xCivilization$y20th century$vLiterary collections.
700 1 $aFriend, David,$d1955-$eeditor.
700 1 $aCarter, Graydon,$eeditor.
730 0 $aVanity fair (New York, N.Y.)
852 00 $bmil$hPS536$i.B595 2014