MARC Record from marc_columbia

LEADER: 03396cam a2200433 i 4500
001 11151241
005 20150216134835.0
008 140731s2014 enk b 001 0 eng
010 $a 2014030377
020 $a9781137270955$q(hardback)
020 $a1137270950$q(hardback)
020 $a9781137270948$q(paperback)
020 $a1137270942$q(paperback)
024 $a40024427176
035 $a(OCoLC)ocn882185085
035 $a(OCoLC)882185085
035 $a(NNC)11151241
040 $aDLC$beng$erda$cDLC$dYDX$dBTCTA$dBDX$dUKMGB$dCDX$dYDXCP$dOCLCQ
042 $apcc
050 00 $aML2054$b.T393 2014
082 00 $a792.609$223
084 $aPER011000$aPER011020$aPER013000$2bisacsh
100 1 $aTaylor, Millie,$eauthor.
245 10 $aStudying musical theatre :$btheory and practice /$cMillie Taylor and Dominic Symonds.
264 1 $aLondon ;$aNew York :$bPalgrave,$c2014.
300 $aix, 273 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"The ideal accompaniment to any study of musical theatre, this lively textbook provides a comprehensive overview of the history, theory and practice of this popular theatre form. Bringing critical theory and musical theatre together, Millie Taylor and Dominic Symonds explore the musical stage from a broad range of theoretical perspectives, including narrative theory, orientalism, gender theory and globalization. Focusing on opera as well as musical theatre, Studying Musical Theatre considers dozens of diverse shows from 1607 to the present day. From Monteverdi to Mamma Mia, and from HMS Pinafore to Hedwig, this book offers an accessible and up-to-date guide to musical theatre for students, aficionados and enthusiasts alike"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 8 $aMachine generated contents note: -- List of Illustrations -- Acknowledgements -- Introduction -- PART I: READING TEXTS -- 1. 'A tale as old as time': Narrative Theory -- 2. 'A man who can interpret could go far': Semiotics and Semiology -- 3. 'Razzle dazzle 'em': Reception Theory and the Epic Musical -- 4. 'Life is a cabaret': Cultural Materialism -- PART II: INTERPRETING CONTEXTS -- 5. 'You've got to be carefully taught': Orientalism and Musical Theatre -- 6. 'I wanna be a producer': Globalization, Capitalism and Consumerism -- 7. 'What's the buzz?' Meta-narratives and Postlinearity -- PART III: PERFORMING IDENTITIES -- 8. 'Marry the man today': Feminism and the Performance of Identity -- 9. 'The bitch of living': Youth Cultures, Power, and Sexuality -- 10. 'I am what I am': Sexuality and Queer Theory -- PART IV: RETHINKING RELATIONSHIPS -- 11. 'It's the last midnight': Playing with Time and Space -- 12. 'I'm just a Broadway baby': Intertextuality in Music and Lyrics -- 13. 'Dreamgirls will make you happy': The Pleasures of Voice and Body -- 14. 'Make 'em laugh': The Politics of Entertainment -- Bibliography -- Index.
650 0 $aMusicals$xHistory and criticism.
650 0 $aMusical theater$xHistory.
650 7 $aPERFORMING ARTS$xTheater$xGeneral.$2bisacsh
650 7 $aPERFORMING ARTS$xTheater$xHistory & Criticism.$2bisacsh
650 7 $aPERFORMING ARTS$xTheater$xBroadway & Musical Revue.$2bisacsh
700 1 $aSymonds, Dominic,$eauthor.
852 00 $bmus$hML2054$i.T393 2014