MARC Record from marc_columbia

LEADER: 02980cam a2200541 i 4500
001 11000665
005 20141222130528.0
008 140605s2014 enk b 001 0 eng
010 $a 2014019982
020 $a9780230241718 (hardback)
020 $a0230241719 (hardback)
024 $a40024170856
035 $a(OCoLC)873725696
035 $a(OCoLC) 2014019982
035 $a(NNC)11000665
040 $aDLC$erda$beng$cDLC$dYDX$dBTCTA$dBDX$dUKMGB$dOCLCF$dCDX$dYDXCP$dOCLCO
042 $apcc
043 $an-us-ca
050 00 $aPN1993.5.U6$bL59 2014
082 00 $a791.430973$223
084 $aPER004010$aPER004030$aSOC052000$2bisacsh
100 1 $aLombardo, Patrizia,$eauthor.
245 10 $aMemory and imagination in film :$bScorsese, Lynch, Jarmusch, Van Sant /$cPatrizia Lombardo, University of Geneva, Switzerland.
264 1 $aHoundmills, Basingstoke, Hampshire ;$aNew York :$bPalgrave Macmillan,$c2014.
300 $aix, 244 pages ;$c23 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 1 $aLanguage, discourse, society
520 $a"Lombardo expands upon the intuitions of Baudelaire, proposing a new understanding of cinephilia as the interplay of the memory and the imagination of both filmmakers and spectators. Works by Scorsese, Lynch, Jarmusch and Van Sant are presented as imaginative uses of the history of cinema, as well as the histories of painting, music, literature and photography. Quotations, allusions, and more complex stylistic devices combine to become conscious or unconscious re-elaborations of works from the past and the present. The question of spectators' participation is discussed at length, alongside detailed analysis that aims to disentangle the various elements within specific film sequences"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
650 0 $aMotion pictures$zUnited States$xHistory and criticism.
650 0 $aMotion pictures$xProduction and direction$zUnited States.
650 0 $aMotion pictures$zUnited States$xAesthetics.
650 0 $aImagination in motion pictures.
650 0 $aMemory in motion pictures.
650 7 $aPERFORMING ARTS / Film & Video / Direction & Production.$2bisacsh
650 7 $aPERFORMING ARTS / Film & Video / History & Criticism.$2bisacsh
650 7 $aSOCIAL SCIENCE / Media Studies.$2bisacsh
650 7 $aImagination in motion pictures.$2fast$0(OCoLC)fst01201476
650 7 $aMemory in motion pictures.$2fast$0(OCoLC)fst01015966
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aMotion pictures$xAesthetics.$2fast$0(OCoLC)fst01027288
650 7 $aMotion pictures$xProduction and direction.$2fast$0(OCoLC)fst01027357
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
830 0 $aLanguage, discourse, society.
852 00 $bglx$hPN1993.5.U6$iL59 2014