| Record ID | marc_columbia/Columbia-extract-20221130-024.mrc:105555906:1668 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-024.mrc:105555906:1668?format=raw |
LEADER: 01668cam a2200325Ia 4500
001 11666979
005 20160118122311.0
008 150904s2015 be a bc 000 0 eng d
020 $a9791092599084
035 $a(OCoLC)ocn920542282
035 $a(OCoLC)920542282
035 $a(NNC)11666979
040 $aERASA$beng$cERASA$dJPG
050 4 $aN6953.R66$bA4x 2015
082 04 $a700.411.2
100 1 $aRoosen, Maria,$d1957-
245 10 $aMaria Roosen :$bfruits of love /$cClare Lilley.
246 30 $aFruits of love
260 $aBrussel :$bRoberto Polo Gallery,$c2015.
300 $a85 p. :$bcol. ill. ;$c32 cm.
500 $aCatalog of an exhibition held at Robert Polo Gallery, September 10-November 8, 2015.
504 $aIncludes bibliographical references.
520 8 $aOver time, glass has become Maria Roosen's recognised medium, but it wasn't always so. Graduating from the rigorous and ambitious Moller Instituut Tilburg in 1981, she chose to go onto the Academie voor Beeldende Kunsten in Arnhem, where a multidisciplinary approach allowed students to direct themselves towards and within subject areas, rather than being defined by a single one. Continuing the work that she had developed at Tilburg, and allowing herself the time to find her feet, Roosen began by making linocuts. Exhibition: Roberto Polo Gallery, Brussels, Belgium (10.09-08.11.2015).
600 10 $aRoosen, Maria,$d1957-$vExhibitions.
650 0 $aArt, Dutch$y20th century$vExhibitions.
650 0 $aArt, Dutch$y21st century$vExhibitions.
650 0 $aGlass art$vExhibitions.
700 1 $aLilley, Clare.
710 2 $aRoberto Polo Gallery.
852 00 $bfaxlc$hN6953.R658$iA4 2015g