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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-024.mrc:10783155:1973
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-024.mrc:10783155:1973?format=raw

LEADER: 01973cam a2200265Ki 4500
001 11525186
005 20150920220832.0
008 150710s2015 stka b 001 0 eng d
020 $a9780748694136
020 $a0748694137
035 $a(OCoLC)ocn900446171
035 $a(OCoLC)900446171
035 $a(NNC)11525186
040 $aBTCTA$beng$cBTCTA$dBDX$dYDXCP$dOCLCO$dCDX$dUNL$dOCLCO
050 4 $aPN1995.9.D6$bP67 2015
082 04 $a070.1/8$223
245 00 $aPost-1990 documentary :$breconfiguring independence /$cedited by Camille Deprez and Judith Pernin.
264 1 $aEdinburgh :$bEdinburgh University Press,$c2015.
300 $aviii, 268 pages ;$billustrations ;$c24 cm.
504 $aIncludes bibliographic references and index.
520 $a"In a post-1990 context of unrivalled creativity in documentary filmmaking, what does 'independence' really mean? With a broad selection of contributors, this is the first collection of in-depth case studies to cut across different media, formats, subject matters, purposes and national divides. Writing from a wide range of academic perspectives, contributors shed new light on historical, theoretical and empirical issues concerning independent documentary, to better comprehend the radical transformations of the form over the past twenty-five years. While the digital turn has been widely acknowledged as decisive in reshaping film practices, especially independent ones, this anthology aims at assessing its consequences without overestimating the impact of technology on other political, economic, social and cultural changes. Continuities as well as breaks are therefore put in perspective, with a particular focus on the interactions between these new practices and the established film and television industries."--Back cover.
650 0 $aDocumentary films$xHistory and criticism.
700 1 $aDeprez, Camille,$d1977-$eeditor.$4edt
700 1 $aPernin, Judith,$eeditor.$4edt
852 0 $bglx$hPN1995.9.D6$iP67 2015