| Record ID | marc_columbia/Columbia-extract-20221130-024.mrc:139153913:1764 |
| Source | marc_columbia |
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LEADER: 01764cam a2200325 i 4500
001 11723298
005 20160321125116.0
008 150810s2015 enk 000 0 eng d
019 $a905524491$a907186195
020 $a9781783204953$qhbk.
020 $a1783204958$qhbk.
024 $a60002073167
035 $a(OCoLC)917367513$z(OCoLC)905524491$z(OCoLC)907186195
035 $a(OCoLC)ocn917367513
035 $a(NNC)11723298
040 $aERASA$beng$erda$cERASA$dBDX$dYDXCP$dBTCTA$dNLE$dOCLCO$dNhCcYBP
043 $au-nz---
050 4 $aPN1995.9.D6$bW43 2015
082 04 $a070.1/8$223
100 1 $aWeckbecker, Lars,$eauthor.
245 10 $aGoverning visions of the real :$bThe National Film Unit and Griersonian Documentary Film in Aotearoa/New Zealand /$cLars Weckbecker.
264 1 $aBristol :$bIntellect Ltd,$c2015.
300 $aviii, 192 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 8 $aGoverning Visions of the Real traces the emergence, development, and techniques of Griersonian documentary named for pioneering Scottish filmmaker John Grierson in New Zealand throughout the first half of the twentieth century. Paying close attention to the productions of the National Film Unit in the 1940s and 1950s, Lars Weckbecker follows the shifting practices and governmentality of documentary's & visions of the real as New Zealand and its population, particularly workers and its indigenous population, came to be envisioned through NFU film for an ensemble of political, pedagogic, and propagandistic purposes.
650 0 $aDocumentary films$zNew Zealand$xHistory.
610 10 $aNew Zealand.$bNational Film Unit$xHistory.
852 0 $bglx$hPN1995.9.D6$iW43 2015g