MARC Record from marc_columbia

LEADER: 01948cam a2200349 4500
001 11750346
005 20160919153107.0
008 160222s2015 nyu 000 0 eng d
019 $a910702720
020 $a9780692397619
020 $a0692397612
035 $a(OCoLC)ocn929592893
035 $a(OCoLC)929592893$z(OCoLC)910702720
035 $a(NNC)11750346
040 $aERASA$beng$cERASA$dYDXCP$dBTCTA$dBDX$dOCLCQ$dCOO$dOCLCO$dNNC
050 4 $aN6490
082 04 $a700.411.2
245 00 $aTakeshi Murata /$cDan Nadel.
260 $aNew York :$bSalon 94 ;$bDistributed Art Publishers$c2015.
300 $a112 pages :$billustrations ;$c33 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 8 $aTakeshi Murata (born 1975) first became known as an early innovator of "datamoshing," a form of "glitch art" that requires compressing two videos together until their respective pixels merge into one mashed-up picture. Since then, inspired by Giorgio de Chirico and traditional 17th-century Dutch and Flemish painting, Murata's work has ventured into the realm of hyper-realism in a series of uncanny prints and videos that explore our inner and exterior lives via everything from B-grade horror film imagery to relics of a 1980s childhood. Part monograph and part artist's book, Takeshi Murata includes an essay by New Museum curator Lauren Cornell, an interview with the artist conducted by Alex Gartenfeld, Curator at the Institute of Contemporary Art, Miami, and an essay by Dan Nadel.
600 10 $aMurata, Takeshi,$d1975-
650 0 $aArt, Modern$y21st century.
650 0 $aVideo art$zUnited States$y21st century.
650 0 $aComputer art$zUnited States$y21st century.
650 0 $aDigitally printed materials$zUnited States$y21st century.
650 0 $aSculpture$zUnited States$y21st century.
700 1 $aNadel, Dan.
852 00 $bfaxlc$hN6537.M865$iA4 2015g