| Record ID | marc_columbia/Columbia-extract-20221130-024.mrc:155608747:3050 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-024.mrc:155608747:3050?format=raw |
LEADER: 03050cam a2200613 i 4500
001 11753568
005 20160516120937.0
008 160219s2015 gw b 001 0 eng
010 $a 2015009080
020 $a9783631657157$q(hbk.)
020 $a3631657153$q(hbk.)
020 $z9783653050066$q(ebook)
020 $a3653050065$q(E-Book)
020 $a9783653050066$q(E-Book)
029 1 $aCHBIS$b010470296
029 1 $aCHDSB$b006408558
029 1 $aCHSLU$b001206412
029 1 $aCHVBK$b336784325
029 1 $aCHVBK$b33693811X
029 1 $aCHVBK$b338558349
035 $a(OCoLC)ocn908448147
035 $a(OCoLC)908448147
035 $a(NNC)11753568
040 $aDLC$beng$erda$cDLC$dYDX$dBTCTA$dYDXCP$dCDX$dCHVBK$dOCLCO$dOCLCF$dOHX$dOCLCQ$dPUL
042 $apcc
043 $ae-uk-en
050 00 $aPR890.C665$bT48 2015
072 7 $aPR$2lcco
082 00 $a823/.9209355$223
100 1 $aTerentowicz-Fotyga, Urszula.
245 10 $aDreams, nightmares and empty signifiers :$bthe English country house in the contemporary novel /$cUrszula Terentowicz-Fotyga.
264 1 $aFrankfurt am Main ;$aNew York :$bPeter Lang Edition,$c[2015]
300 $a268 pages ;$c22 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aMediated fictions ;$vvolume 7
504 $aIncludes bibliographical references (pages 245-268) and index.
505 0 $aIntroduction -- Country-house dreaming. The land where dreams come true: Julian Fellowes' Snobs -- The palace of art. Alan Hollinghurst's The line of beauty -- Subverting the myth. Kazuo Ishiguro's The remains of the day -- Conclusion -- Country-house nightmares. The other, odder, rarer realm: Sarah Waters' The little stranger -- Everything had stopped when he stopped being able to imagine it: Helen Dunmore's A spell of winter -- Evil plots do not happen here: Sarah Waters' Fingersmith -- Conclusion -- The country house as (meta) fiction. The emptiness, so soon to be filled: Toby Litt's Finding myself -- The worrying air of cliche and unreality: Alan Hollinghurst's The stranger's child -- An artificial place on an artificial island: Ian McEwan's Atonement -- Conclusion.
650 0 $aEnglish fiction$y21st century$xHistory and criticism.
650 0 $aCountry homes in literature.
650 0 $aAristocracy (Social class) in literature.
650 0 $aBritish in literature.
650 7 $aAristocracy (Social class) in literature.$2fast$0(OCoLC)fst00814473
650 7 $aBritish in literature.$2fast$0(OCoLC)fst00839081
650 7 $aCountry homes in literature.$2fast$0(OCoLC)fst00881403
650 7 $aEnglish fiction.$2fast$0(OCoLC)fst00910817
650 7 $aEnglisch.$0(DE-588)4014777-0$2gnd
650 7 $aRoman.$0(DE-588)4050479-7$2gnd
650 7 $aLandhaus.$0(DE-588)4334481-1$2gnd
648 7 $a2000 - 2099$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
830 0 $aMediated fictions ;$vv. 7.
852 00 $bglx$hPR890.C665$iT48 2015