MARC Record from marc_columbia

LEADER: 04374cam a2200745 i 4500
001 11817684
005 20161219154948.0
008 160122s2016 sz a bc 000 0 eng c
010 $a 2016940230
016 7 $a1079681795$2GyFmDB
020 $a9783791355368$q(English edition : hardcover)
020 $a3791355368$q(English edition : hardcover)
020 $z9783791355351$q(German edition)
024 3 $a9783791355368
035 $a(OCoLC)ocn957457956
035 $a(OCoLC)957457956
035 $a(NNC)11817684
040 $aOHX$beng$erda$cOHX$dEMU$dOCLCO$dTEU$dORU$dOCLCO$dUBY$dOCLCF$dOCLCO$dIAC$dOCL$dOCLCO
041 1 $aeng$hger
042 $apcc
043 $ae-gx---$ae-sz---
050 4 $aN6868.5.E9$bM6313 2016
072 7 $aN$2lcco
082 14 $a709.040074$bM6899F2016
130 0 $aModerne Meister.$lEnglish.
245 10 $aModern masters :$b"degenerate" art at the Kunstmuseum Bern /$cedited by Matthias Frehner and Daniel Spanke.
264 1 $aBern :$bKunstmuseum Bern ;$aMunich :$bPrestel,$c[2016]
264 4 $c©2016
300 $a376 pages :$billustrations (chiefly color) ;$c29 cm
336 $atext$2rdacontent
336 $astill image$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
500 $aTranslation of: Moderne Meister : "Entartete" Kunst im Kunstmuseum Bern.
500 $a"This catalog has been published in conjunction with the exhibition ... April 7-August 21, 2016, Kunstmuseum Bern"--Page 374.
504 $aIncludes bibliographical references.
520 $aKunstmuseum Bern, the oldest museum in Switzerland, turns its gaze toward its own acquisition history in this lavish book that features artistic masterpieces considered worthless by the Nazis, and the stories of how they came to Switzerland. As a result of the Nazi regime's scorn for modern art, virtually all non-traditional art between 1933 and 1945 was banned in Germany on the grounds that it was un-German, Jewish, or Communist in nature. Those identified as "degenerate" artists were dismissed from teaching positions and forbidden to exhibit or to sell their works. This book sheds light on the historical significance and provenance of nearly 525 works by modernist greats, such as Picasso, Chagall, and Kandinsky, which were acquired by the Kunstmuseum Bern through a combination of auctions and private donations. The book traces the fates of artists who suffered under the Nazi regime and who had connections to Switzerland, including Kirchner, Klee and Dix, and contrasts the cultural policies of the Third Reich with those of Switzerland in the same period. Finally, it details the dramatic events and unprecedented efforts that went into preserving invaluable works of art.
610 20 $aKunstmuseum Bern$vExhibitions.
650 0 $aEntartete Kunst$vExhibitions.
650 0 $aArt, Modern$y20th century$vExhibitions.
650 0 $aArt, Modern$y20th century$xPolitical aspects$zGermany$vExhibitions.
650 0 $aArt treasures in war$zGermany$vExhibitions.
650 0 $aArt treasures in war$zSwitzerland$vExhibitions.
651 0 $aGermany$xCultural policy$xHistory$y20th century$vExhibitions.
651 0 $aSwitzerland$xCultural policy$xHistory$y20th century$vExhibitions.
650 0 $aArt$xCollectors and collecting$zSwitzerland$vExhibitions.
650 0 $aArt$zSwitzerland$zBern$vExhibitions.
610 27 $aKunstmuseum Bern.$2fast$0(OCoLC)fst00516513
650 7 $aArt.$2fast$0(OCoLC)fst00815177
650 7 $aArt$xCollectors and collecting.$2fast$0(OCoLC)fst00815195
650 7 $aArt, Modern.$2fast$0(OCoLC)fst00816615
650 7 $aArt, Modern$xPolitical aspects.$2fast$0(OCoLC)fst00816651
650 7 $aArt treasures in war.$2fast$0(OCoLC)fst00815842
650 7 $aCultural policy.$2fast$0(OCoLC)fst00885007
650 7 $aEntartete Kunst.$2fast$0(OCoLC)fst00912589
651 7 $aGermany.$2fast$0(OCoLC)fst01210272
651 7 $aSwitzerland.$2fast$0(OCoLC)fst01205401
651 7 $aSwitzerland$zBern.$2fast$0(OCoLC)fst01205493
648 7 $a1900-1999$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aFrehner, Matthias,$eeditor.
700 1 $aSpanke, Daniel,$eeditor.
710 2 $aKunstmuseum Bern,$eissuing body,$eorganizer.
852 00 $bfaxlc$hN6868.5.E9$iM6313 2016g