MARC Record from marc_columbia

LEADER: 03109cam a2200469 i 4500
001 11824216
005 20160420175210.0
008 160315t20152015enka bc 000 0 eng c
019 $a920656296
020 $a9781907372919$qpaperback
020 $a1907372911$qpaperback
035 $a(OCoLC)ocn929590920
035 $a(OCoLC)929590920$z(OCoLC)920656296
035 $a(NNC)11824216
040 $aERASA$beng$erda$cERASA$dYDXCP$dMZA$dOSU$dOCLCF$dNNC
042 $apcc
050 4 $aND141$b.N372 2015
082 04 $a751.6
245 00 $aLate Medieval panel paintings II :$bmaterials, methods, meanings /$cedited by Susie Nash with contributions by Matthew Reeves, Nicholas Herman, Anna Koopstra and Nicola Jennings.
246 3 $aLate Medieval panel paintings 2
264 1 $aLondon :$bSam Fogg,$c[2015].
264 4 $c©2015
264 3 $aLondon :$bPaul Holberton Publishing,$c[2015].
300 $a352 pages :$billustrations (chiefly color) ;$c30 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalog of an exhibition held at Richard L. Feigen & Co. Inc., New York, January 22 - February 27, 2016.
520 8 $aThis catalogue presents in-depth case studies of twenty-four rare and remarkable Late Medieval panel paintings, many from the German-speaking regions of Europe, but also from Spain, France and the Southern Netherlands. The collected essays will encompass a broad spectrum of artistic styles, techniques, and interests, including in some instances the works' original frames, and the attendant meanings they give to the imagery housed within. The group will also be augmented by a rare and important small-scale tapestry altarpiece with close links to panel painting to enrich our understanding of the cross-pollination of ideas between mediums and the role played by painters in tapestry production at the turn of the sixteenth century. The author is using wood analysis and dendrochronology, paint samples, infra-red, x-rays and macro photography to document the materials and methods involved in their making and the alterations and transformations they have undergone with time. Combined with close readings of their imagery and its presentation to explore issues of meaning, creative process, patronal intervention and artistic intention, leading in many cases to new reconstructions, attributions, dates and iconographic readings.
650 0 $aPanel painting, Medieval$vExhibitions.
650 0 $aPainting, Medieval$vExhibitions.
650 7 $aPainting, Medieval.$2fast$0(OCoLC)fst01050976
650 7 $aPanel painting, Medieval.$2fast$0(OCoLC)fst01052069
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aNash, Susie,$eeditor.
700 1 $aReeves, Matthew,$econtributor.
700 1 $aKoopstra, Anna,$econtributor.
700 1 $aHerman, Nicholas,$econtributor.
700 1 $aJennings, Nicola,$d1976-$econtributor.
710 2 $aRichard L. Feigen & Company,$ehost institution.
852 00 $bfaxlc$hND141$i.N372 2015g