MARC Record from marc_columbia

LEADER: 04597cam a2200601 i 4500
001 11849374
005 20211025154203.0
008 160322s2016 mauab b 000 0 eng
010 $a 2015035358
035 $a(OCoLC)ocn921310761
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015 $aGBB609375$2bnb
016 7 $a017709703$2Uk
019 $a1201944085$a1224906267
020 $a9781891771682$q(harvard art museums ;$qalk. paper)
020 $a189177168X$q(harvard art museums ;$qalk. paper)
020 $a9780300214703$q(yale university press (distributor) ;$qalk. paper)
020 $a0300214707$q(yale university press (distributor) ;$qalk. paper)
024 8 $a99969185625
035 $a(OCoLC)921310761$z(OCoLC)1201944085$z(OCoLC)1224906267
042 $apcc
043 $au-at---
050 00 $aN7401$b.E955 2016
082 00 $a704.03/9915$223
084 $aJ161.11$2clc
049 $aZCUA
245 00 $aEverywhen :$bthe eternal present in indigenous art from Australia /$cedited by Stephen Gilchrist ; With essays by Stephen Gilchrist, Henry F. Skerritt, Hetti Perkins, Fred Myers, Shawn C. Rowlands, Narayan Khandekar, Georgina Rayner, and Daniel P. Kirby.
264 1 $aCambridge, Massachusetts :$bHarvard Art Museums,$c[2016]
264 2 $aNew Haven :$bDistributed by Yale University Press
300 $a227 pages :$bcolor illustrations, map ;$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"This publication accompanies the exhibition Everywhen: The Eternal Present in Indigenous Art from Australia, Harvard Art Museums, Cambridge, Massachusetts, February 5 through September 18, 2016."
504 $aIncludes bibliographical references.
505 0 $aEverywhen : the eternal present in indigenous art from Australia / Stephen Gilchrist -- A stitch in time : how aboriginal Australian artists are reweaving our world / Henry F. Skerritt -- Living legacies / Hetti Perkins -- Doublings / Fred Myers -- Aboriginal Australian exchange patters and incised pearl shells at the Peabody Museum of Archaeology and Ethnology / Shawn C. Rowlands -- Pigments and binders in traditional aboriginal bark paintings / Narayan Khandekar, Georgina Rayner, and Daniel P. Kirby -- Catalogue entries -- Map of art-producing communities -- Map of language groups.
520 $aIndigenous concepts of time play a critical role in the works of many contemporary Australian artists. Everywhen: The Eternal Present in Indigenous Art from Australia showcases prime examples, featuring many works of art that have never before been exhibited outside Australia. The book provides a cultural framework to help understand these objects, emphasizing the importance of the land, the rich narratives that cleave to it, and the art it inspires. It is organized around four central themes: ancestral transformation, ritualized performance, seasonality, and remembrance. Six essays and nearly seventy catalogue entries highlight many of the most significant Indigenous Australian artists of the last forty years, from Rover Thomas and Emily Kam Kngwarray (both former representatives at the Venice Biennale) to the contemporary bark painter John Mawurndjul and the visual and performance artist Christian Thompson. Also included are examples of related historical objects and a technical examination of traditional Aboriginal bark paintings. This revelatory book introduces the thematic, stylistic, and cultural diversity of contemporary Indigenous art from Australia to a wider audience.
650 0 $aArt, Aboriginal Australian$vExhibitions.
650 0 $aTime in art$vExhibitions.
650 0 $aPlace (Philosophy) in art$vExhibitions.
650 7 $aArt, Aboriginal Australian.$2fast$0(OCoLC)fst00815847
650 7 $aPlace (Philosophy) in art.$2fast$0(OCoLC)fst01064980
650 7 $aTime in art.$2fast$0(OCoLC)fst01151107
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 1 $aGilchrist, Stephen,$eeditor.
700 12 $aGilchrist, Stephen.$tEverywhen.
700 1 $aJensen, Zak,$ebook designer.
700 1 $aSherkanowski, Adam,$ebook designer.
710 2 $aHarvard Art Museums,$eorganizer,$ehost institution.
852 00 $bfaxlc$hN7401$i.E955 2016
852 00 $bbar$hN7401$i.E955 2016
852 80 $brbx$kAIGA$h2017$i16