MARC Record from marc_columbia

LEADER: 03766cam a2200565 i 4500
001 11850879
005 20160516122151.0
008 150619s2016 enk b 001 0 eng
010 $a 2015024568
019 $a918995448$a927446232$a929917149
020 $a9781472465719$q(hardcover$qalkaline paper)
020 $a1472465717$q(hardcover$qalkaline paper)
020 $z9781472465726$q(ebook)
020 $z9781472465733$q(epub)
024 $a99966753568
035 $a(OCoLC)ocn912872734
035 $a(OCoLC)912872734$z(OCoLC)918995448$z(OCoLC)927446232$z(OCoLC)929917149
035 $a(NNC)11850879
040 $aDLC$beng$erda$cDLC$dYDX$dYDXCP$dOCLCF$dBTCTA$dCHVBK$dTDF$dCDX$dOCLCO$dOCLCQ$dERASA$dNLE
042 $apcc
043 $ae-gr---
050 00 $aML3499.G8$bK64 2016
082 00 $a781.62/893$223
100 1 $aKoglin, Daniel,$eauthor.
245 10 $aGreek rebetiko from a psychocultural perspective :$bsame songs changing minds /$cDaniel Koglin.
264 1 $aFarnham, Surrey :$bAshgate Publishing Limited,$c[2016]
300 $axiv, 276 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $a[SOAS musicology series]
504 $aIncludes bibliographical references and index.
505 0 $aDiscursive mode I (myth) : telling tales of rebetiko -- Discursive mode II (ritual) : performing rites of rebetiko -- Rebetiko in Istanbul : a view from the Bosporus -- The semantic space of rebetiko -- Rebetiko as a conceptual and experiential system.
520 8 $aGreek Rebetiko from a Psychocultural Perspective: Same Songs Changing Minds examines the ways in which audiences in present-day Greece and Turkey perceive and use the Greek popular song genre rebetiko to cultivate specific cultural habits and identities. In the past, rebetiko has been associated chiefly with the lower strata of Greek society. But Daniel Koglin approaches the subject from a different perspective, exploring the mythological and ritual aspects of rebetiko, which intellectual elites on both sides of the Aegean Sea have adapted to their own world views in our age of globalized consumption. Combining qualitative and quantitative methods from ethnomusicology, ritual studies, conceptual history and music psychology, Koglin casts light on the role played by national perceptions in the processes of music production and consumption. His analysis reveals that rebetiko persistently oscillates between conceptual categories: it is a music both 'ours' and 'theirs', marginal and mainstream, joyful and grievous, sacred and profane. The study culminates in the thesis that this semantic multistability is not only a key concept to understanding the ongoing popularity of rebetiko in Greece, and its recent renaissance in Turkey, but also a fundamental aspect of the human experience on the south-eastern borders of Europe.
650 0 $aRebetika$zGreece$xHistory and criticism.
650 0 $aRebetika$zTurkey$xHistory and criticism.
650 0 $aPopular music$zGreece$xHistory and criticism.
650 0 $aMusic$xPsychological aspects.
650 7 $aMusic$xPsychological aspects.$2fast$0(OCoLC)fst01030418
650 7 $aPopular music.$2fast$0(OCoLC)fst01071422
650 7 $aRebetika.$2fast$0(OCoLC)fst01091314
651 7 $aGreece.$2fast$0(OCoLC)fst01208380
651 7 $aTurkey.$2fast$0(OCoLC)fst01208963
650 7 $aVolksmusik.$0(DE-588)4063854-6$2gnd
650 7 $aRebetiko.$0(DE-588)4195416-6$2gnd
651 7 $aGriechenland.$0(DE-588)4022047-3$2gnd
651 7 $aTürkei.$0(DE-588)4061163-2$2gnd
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
830 0 $aSOAS musicology series.
852 00 $bmus$hML3499.G8$iK64 2016