MARC Record from marc_columbia

LEADER: 02074cam a2200325Ia 4500
001 11863365
005 20180716130307.0
008 160122s2016 ne a 000 0 dut d
020 $a9789072250421
020 $a9072250427
035 $a(OCoLC)ocn935690856
035 $a(OCoLC)935690856
035 $a(NNC)11863365
040 $aERASA$beng$cERASA$dBP1$dOCLCO$dCGU$dOCLCQ
043 $ae-ne---
050 4 $aN5272.2.S844$bN54 2016
082 04 $a700
245 03 $aDe Nieuwe Smaak /$cJosien Beltman.
260 $aEnschede :$bRijksmuseum Twenthe,$c2016.
300 $a71 pages :$bcolor illustrations ;$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"Een uitgave van Rijksmuseum Twenthe, januari-augustus 2016"--Cover.
520 8 $aGeert Steinmeijer, an private collector, has been fascinated by art ever since his first purchase in 1993, and has now assembled a varied and world-class collection. The exhibition includes mediaeval religious painting, American abstraction and French salon art. Steinmeijer also collects contemporary art from Germany and China, two countries he knows well, and the event provides an insight into the various worlds in which he moves. With this exhibition, Rijksmuseum Twenthe reflects on developments in art collecting and the rise of a new, much more diverse and subjective taste. The boundaries between good and bad taste, and between high and low art, have gradually dissolved. Today, anything goes. More than ever before, beauty is in the eye of the beholder – but that doesn’t mean we should avoid discussing what we mean by taste. Visitors to this exhibition are challenged to think about their own tastes, just as Steinmeijer does. 00Exhibition: Rijksmuseum Twenthe, (17.01.-21.08.2016).
600 10 $aSteinmeijer, Geert$xArt collections$vExhibitions.
650 0 $aArt$vExhibitions.
650 0 $aArt$xPrivate collections$zNetherlands$zAmsterdam$vExhibitions.
700 1 $aBeltman, Josien.
852 00 $bfaxlc$hN5272.2.S844$iN54 2016g