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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-024.mrc:181218176:3595
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-024.mrc:181218176:3595?format=raw

LEADER: 03595cam a2200481Ii 4500
001 11876085
005 20160516123407.0
008 160112t20162016ne a b 000 0 eng d
020 $a9789069182902$q(paperback)
020 $a9069182904$q(paperback)
035 $a(OCoLC)ocn934618504
035 $a(OCoLC)934618504
035 $a(NNC)11876085
040 $aERASA$beng$erda$cERASA$dOCLCO$dOCLCQ$dMZA$dQGK$dOCLCF$dJPG$dNLGGC
050 4 $aNC263.E93$bE93 2016
082 04 $a700-9492
245 03 $aAn Eyckian crucifixion explored :$bten essays on a drawing /$cconcept and editorial supervision Albert J. Elen and Friso Lammertse.
246 3 $aEyckian crucifixion explored :$b10 essays on a drawing
264 1 $aRotterdam :$bMuseum Boijmans van Beuningen,$c[2016]
264 4 $c©2016
300 $a159 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aBoijmans Studies ;$v11
500 $aPublished to coincide with the exhibition "A new look at a Van Eyck masterpiece" held at the Metropolitan Museum of Art, New York, January 25-April 24, 2016.
504 $aIncludes bibliographical references (pages 152-157).
505 0 $aThe discovery / Friso Lammertse -- Notes on the material aspects / Arie Wallert, Birgit Reissland, Luc Megens -- Two papers and a watermark / Albert J. Elen -- The use of goldpoint and silverpoint in the fifteenth century / An Van Camp -- Attribution, style and date / Fritz Koreny -- Reflections, models and possible function / Guido Messling -- Copying and beyond: the multiple functions of early Netherlandish drawing / Stephanie Buck -- Some Eyckian drawings and miniatures in the context of the drawing / Till-Holger Borchet -- The drawing and colour / Stephan Kemperdick -- The relationship between Rotterdam drawing and the New York painting / Maryan W. Ainsworth.
520 8 $aIn 2012 a hitherto unknown 'Eyckian' drawing of the Crucifixion was exhibited in The Road to Van Eyck in Museum Boijmans Van Beuningen. Forty years earlier Wim Hofman, a psychiatrist and art collector from Groningen, had bought the drawing - as a reproduction - for just ten guilders at a local estate auction. He was convinced, however, and rightly so, that it was an original work of art, and he spent the rest of his life researching it. The Rotterdam museum acquired the drawing shortly after the exhibition. In this book leading specialists examine various aspects of this mysterious drawing - its discovery, the scientific and technical research into the materials, and the identity of the artist. Is it a work by Jan van Eyck himself or a workshop assistant, or is it a late fifteenth-century copy of a work by the famous progenitor of Netherlandish painting?
600 10 $aEyck, Jan van,$d1390-1440$xCriticism and interpretation.
650 0 $aDrawing, Netherlandish$y15th century$xCriticism and interpretation.
600 17 $aEyck, Jan van,$d1390-1440.$2fast$0(OCoLC)fst00016660
650 7 $aDrawing, Netherlandish.$2fast$0(OCoLC)fst01202200
600 14 $aEyck, Jan van,$d1390-1440.
648 7 $a1400-1499$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aLammertse, Friso,$eeditor.
700 1 $aElen, Albert J.,$eeditor.
700 12 $aEyck, Jan van,$d1390-1440.$tWorks.$kSelections.
710 2 $aMetropolitan Museum of Art (New York, N.Y.),$ehost institution.
740 2 $aA new look at a Van Eyck masterpiece.
830 0 $aBoijmans studies ;$v11.
852 00 $bfaxlc$hNC263.E93$iE93 2016g