MARC Record from marc_columbia

LEADER: 03096cam a2200421Ii 4500
001 11881600
005 20160623135103.0
008 150306s2015 enkab c 000 0 eng d
010 $a 2015376166
019 $a908018178$a918589520$a921026119$a922790822$a923633991$a930306670
020 $a9781910164099
020 $a1910164097
035 $a(OCoLC)904541505
035 $a(POOF)45585
035 $a(NNC)11881600
040 $aERASA$beng$erda$cERASA$dCDX$dUAB$dDLC$dOCLCF$dCOO$dNMWMA$dYDXCP
043 $aa-is---
050 4 $aTR655$b.E93 2015
082 04 $a779$223
100 1 $aEwald, Wendy.
245 10 $aThis is where I live /$cWendy Ewald.
250 $aFirst edition
264 1 $aLondon :$bMACK,$c[2015]
264 4 $c©2015
300 $a415 pages :$billustrations (chiefly illustrated), maps (some color) ;$c27 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 8 $aFor forty years, Wendy Ewald has travelled the world working with local communities, especially children. In addition to making her own photographs, she developed a method of handing out simple cameras and encouraging people -- ordinarily the "subjects" of a professional photographer -- to author their own images of themselves and their communities. Because the photographers are trusted observers, innocent of the techniques (and wiles) of professionals, the results have the uncanny feel of unadorned truth. In 'This is where i live', Ewald redefines the scope of books about Israel and the West Bank. Ewald portrays an entire region through its discreet parts. Her subjects are contested sites where many communities coexist: Jewish, Christian, Gypsy and Druze. Ewald worked with fourteen different communities -- in neighbourhoods, villages and schools -- using a version of the prismatic approach she's refined over many years. She encouraged a wide range of people -- school children, elderly women and hi-tech workers -- to take pictures and document their lives from their own perspective. Cameras were offered to children uprooted by settlements in Hebron, the West Bank; to young girls at Tzahali military academy; to stall owners at The Shuk, Jerusalem's lively marketplace; and to Bedouin students at a school in the Negev Desert. The collected images, accompanied by interviews and statements by the photographers, evoke the vitality of the region's cultural landscape, including small minorities such as the Gypsies (who are often swept under the umbrella of Arab identity) -- not to mention the myriad identities within majority groups, illuminating the manifold meaning of "Jewish identity."
650 0 $aPhotography, Artistic.
650 0 $aIsraelis$vPictorial works.
650 0 $aIsraelis in art.
650 7 $aIsraelis.$2fast$0(OCoLC)fst00980357
650 7 $aIsraelis in art.$2fast$0(OCoLC)fst01202124
650 7 $aPhotography, Artistic.$2fast$0(OCoLC)fst01061964
655 7 $aPictorial works.$2fast$0(OCoLC)fst01423874
852 00 $bfaxlc$hTR655$i.E93 2015g