It looks like you're offline.
Open Library logo
additional options menu

MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-024.mrc:185253303:5593
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-024.mrc:185253303:5593?format=raw

LEADER: 05593cam a2200697Ii 4500
001 11884241
005 20211020170605.0
008 160413s2015 pauac bc 001 0deng d
035 $a(OCoLC)ocn917375713
040 $aERASA$beng$erda$cERASA$dBTCTA$dBDX$dYDXCP$dMBB$dOCLCO$dOCLCQ$dOCLCO$dZWZ$dOCLCO$dOCLCF$dOCLCO$dNYP$dOCLCO$dCDX$dZCU$dNHM$dOCLCO$dOCL$dOCLCO$dNGA$dOCL$dOCLCA$dUBY$dOCLCA$dCHVBK$dTJC$dZCU
019 $a904036669$a907140315$a933211129$a933583023
020 $a9780500239414
020 $a050023941X
035 $a(OCoLC)917375713$z(OCoLC)904036669$z(OCoLC)907140315$z(OCoLC)933211129$z(OCoLC)933583023
050 4 $aND553.M37$bA4 2015
082 04 $a709.04
049 $aZCUA
245 00 $aMatisse in the Barnes Foundation /$cedited by Yve-Alain Bois ; with essays and entries by Karen K. Butler, Claudine Grammont ; and technical contributions by Barbara A. Buckley, Jennifer Mass, Thomas Primeau.
246 3 $aBarnes Foundation
264 1 $aPhiladelphia, PA :$bThe Barnes Foundation,$c2015.
300 $a3 volumes :$billustrations (some color), portraits ;$c34 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 285-308) and index.
505 0 $aVolume 1 : Foreword -- Matisse in the laboratory of Dr. Barnes : how and why Barnes collected Matisse / Claudine Grammont -- Ensembles -- Matisse's awakening / Yve-Alain Bois -- Henri Matisse according to Dr. Barnes / Karen K. Butler ; Volume 2 : Catalogue nos. 1-5 -- Le Bonheur de vivre : 'the work of a superb colorist' / Barbara A. Buckley and Jennifer Mass -- Catalogue nos. 6-49 ; Volume 3 : Catalogue nos. 50-51 -- The dance process -- Catalogue nos. 52-59 -- Notes -- Correspondence around the dance.
520 $a"Despite the reknown of the Matisse holdings at the Barnes Foundation, these works have long remained uncatalogued and elusive to many, given the Foundation's restrictions on loans and color photography. Generations of scholars have lamented the black-and-white slides of Le Bonheur de vivre that anticlimactically accompanied lectures on the riot of Fauvre color. Matisse in the Barnes Foundation ... grew out research on the collection initiated in the 1990s ... . Goals for the Matisse project included gathering comprehensive information on the works, from external sources, the tremendously rich and recently catalogued Barnes Foundation Archives, and the insights of curators and conservators, and creating for each work an internally consistent record in the Foundation's database, part of which could eventually migrate to the Foundation's website"--Foreword (pages 21-22).
520 $aA landmark compendium - the first authoritative publication to cover in its entirety one of the most significant holdings of Matisse in the world. Here is a vibrant celebration - slipcased and beautifully produced - of the Barnes' extraordinary Matisse collection. Composed of fifty-nine works from every stage of the artist's career, it is among the most important in the world. At its heart are Matisse's most historically significant paintings, Le Bonheur de vivre, also called The Joy of Life, and The Dance, the monumental mural that Albert C Barnes commissioned to fill the lunettes of the Foundation's main gallery, transforming both the space and the artist's career. An essay by Yve-Alain Bois addresses the evolution of The Dance and its role in Matisse's career; Karen Butler looks at what Barnes thought of Matisse; and Claudine Grammont's considers how and why he collected his work. The artworks themselves, sumptuously reproduced, are the subjects of interpretive analyses that tell the stories of their acquisition and address their critical reception. The book includes major contributions by Barbara Buckley and Jennifer Mass on the artists technique and a report on the latest findings on the pigments used in Le Bonheur de vivre.
500 $aRare Book copy: In original slipcase.$5NNC
600 10 $aMatisse, Henri,$d1869-1954$vCatalogs.
600 10 $aBarnes, Albert C.$q(Albert Coombs),$d1872-1951$xArt collections.
610 20 $aBarnes Foundation.
600 17 $aMatisse, Henri$d(1869-1954).$2000
600 17 $aBarnes, Albert C.$q(Albert Coombs),$d1872-1951$2fast$0(OCoLC)fst00081107
600 17 $aMatisse, Henri,$d1869-1954.$2fast$0(OCoLC)fst00035416
610 27 $aBarnes Foundation$2fast$0(OCoLC)fst00561670
650 0 $aPainting, French$y20th century$vCatalogs.
650 0 $aFauvism.
650 0 $aArt$xCollectors and collecting.
650 7 $aArt$xPrivate collections.$2fast$0(OCoLC)fst00815314
650 7 $aArt$xCollectors and collecting.$2fast$0(OCoLC)fst00815195
650 7 $aFauvism.$2fast$0(OCoLC)fst00922005
650 7 $aPainting, French.$2fast$0(OCoLC)fst01050830
648 7 $a1900-1999$2fast
655 7 $aCatalogs.$2fast$0(OCoLC)fst01423692
700 1 $aBarnes, Albert C.$q(Albert Coombs),$d1872-1951.
700 1 $aBois, Yve-Alain,$eeditor.
700 1 $aButler, Karen K.,$d1972-
700 1 $aGrammont, Claudine.
700 1 $aBuckley, Barbara A.
700 1 $aMass, Jennifer L.
700 1 $aPrimeau, Thomas.
700 12 $aMatisse, Henri,$d1869-1954.$tWorks.$kSelections.
700 1 $aMiller, J. Abbott,$ebook designer.
700 1 $aWalker, Kim,$ebook designer.
710 2 $aBarnes Foundation,$eissuing body.
852 01 $bfaxlcn$hND553.M37$iB657 2015g
866 41 $80$av.1-3
852 81 $brbx$kAIGA$h2016$i30
866 41 $80$av.1-3