MARC Record from marc_columbia

LEADER: 03738cam a2200577 i 4500
001 11540772
005 20150920221729.0
008 150114s2015 enkaf b 001 0 eng
010 $a 2015001365
019 $a886492015
020 $a9780415831031 (hardback)
020 $a0415831032 (hardback)
020 $a9780415831048 (paperback)
020 $a0415831040 (paperback)
020 $z9781315850153 (ebook)
020 $z131585015X (ebook)
024 $a40025102543
035 $a(OCoLC)886491986$z(OCoLC)886492015
035 $a(OCoLC)ocn886491986
035 $a(NNC)11540772
040 $aDLC$erda$beng$cDLC$dYDX$dBTCTA$dBDX$dOCLCF$dCDX$dYDXCP
041 1 $aeng$hger
042 $apcc
043 $ae-gx---
050 00 $aPN2654.2$b.G6413 2015
082 00 $a792.0943$223
084 $aPER000000$aPER011010$aPER011040$2bisacsh
100 1 $aGoebbels, Heiner,$eauthor.
240 10 $aÄsthetik der Abwesenheit.$lEnglish
245 10 $aAesthetics of absence :$btexts on theatre /$cHeiner Goebbels ; edited by Jane Collins ; consultant editor Nicholas Till ; translated by David Rosener and Christina M. Lagao.
264 1 $aAbingdon, Oxon ;$aNew York :$bRoutledge,$c2015.
300 $axxv, 111 pages, 16 unnumbered pages of plates :$bcolor illustrations ;$c25 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"Aesthetics of Absence presents a significant challenge to the many embedded assumptions and hierarchical structures that have become 'naturalised' in western theatre production. This is the first English translation by Heiner Goebbels, the renowned German theatre director, composer and teacher. These writings map Heiner Goebbels' engagement with 'Aesthetics of Absence' through his own experience at the forefront of innovative music-theatre and performance making. In this volume Goebbels reflects on works created over a period of more than twenty years staged throughout the world; introduces some of his key artistic influences, including Robert Wilson and Jean-Luc Godard; discusses the work of his students and ex students the collective Rimini Protokoll, and, sets out the case for a radical re thinking of theatre and performance education. He gives us a rare insight into the rehearsal process of critically acclaimed works such as Eraritjaritjaka and Stifters' Dinge explaining, in meticulous detail, the way he weaves an eclectic range of references from fine art, theatre, literature, politics, anthropology, contemporary and classical music, jazz and folk, into his multi- textured music-theatre compositions. As an artist who is prepared to share his research and demystify the processes through which his own works come into being, as a teacher with a coherent pedagogical strategy for educating the next generation of theatre makers, in this volume, Goebbels brings together practice, research and scholarship"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
650 0 $aTheater$zGermany$xHistory$y21st century.
650 7 $aPERFORMING ARTS / General.$2bisacsh
650 7 $aPERFORMING ARTS / Theater / Direction & Production.$2bisacsh
650 7 $aPERFORMING ARTS / Theater / Stagecraft.$2bisacsh
650 7 $aTheater.$2fast$0(OCoLC)fst01149217
651 7 $aGermany.$2fast$0(OCoLC)fst01210272
648 7 $a2000 - 2099$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aCollins, Jane,$d1951-$eeditor.
700 1 $aTill, Nicholas,$d1955-$eeditor.
700 1 $aRosener, David,$etranslator.
700 1 $aLagao, Christina M.,$etranslator.
852 00 $bglx$hPN2654.2$i.G6413 2015