| Record ID | marc_columbia/Columbia-extract-20221130-024.mrc:19043447:1580 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-024.mrc:19043447:1580?format=raw |
LEADER: 01580pam a2200433 i 4500
001 11540837
005 20150920221744.0
008 141211t20152015nyu b 001 0 eng c
010 $a 2014048202
020 $a9781138780675$qhardcover
020 $a1138780677$qhardcover
020 $a9781138780682$qpaperback
020 $a1138780685$qpaperback
020 $z9781315770550$qelectronic book
024 $a40025102641
035 $a(OCoLC)ocn898206245
035 $a(OCoLC)898206245
035 $a(NNC)11540837
040 $aICU/DLC$beng$erda$cCGU$dDLC$dOCLCO$dBTCTA$dOCLCF$dYDXCP$dCDX$dNhCcYBP
042 $apcc
050 00 $aML3800$b.M788 2015
082 00 $a781.64$223
100 1 $aMoy, Ron,$d1956-$eauthor.
245 10 $aAuthorship roles in popular music :$bissues and debates /$cRon Moy, Liverpool John Moores University.
264 1 $aNew York, NY :$bRoutledge,$c2015.
264 4 $c©2015
300 $axxxi, 153 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
650 0 $aPopular music$xWriting and publishing.
650 0 $aAuthorship$xPhilosophy.
650 0 $aPopular music$xHistory and criticism.
650 7 $aAuthorship$xPhilosophy.$2fast$0(OCoLC)fst00822463
650 7 $aPopular music.$2fast$0(OCoLC)fst01071422
650 7 $aPopular music$xWriting and publishing.$2fast$0(OCoLC)fst01071469
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
852 00 $bmus$hML3800$i.M788 2015