MARC Record from marc_columbia

LEADER: 03272cam a2200481 i 4500
001 11907341
005 20160623141628.0
008 150626s2016 enka b 001 0 eng
010 $a 2015019651
019 $a935904364$a938790929
020 $a9781472528544$qhardback
020 $a1472528549$qhardback
020 $z9781474257961 (ebook)
024 $a40025962756
035 $a(OCoLC)ocn903510556
035 $a(OCoLC)903510556$z(OCoLC)935904364$z(OCoLC)938790929
035 $a(NNC)11907341
040 $aDLC$erda$beng$cDLC$dYDX$dYDXCP$dBDX$dBTCTA$dOCLCF$dNDD$dS3O$dCDX$dNLE$dZLM
042 $apcc
050 00 $aNK4252.S63$bC59 2016
082 00 $a738$223
084 $aANT035000$2bisacsh
100 1 $aClare, Claudia,$eauthor.
245 10 $aSubversive ceramics /$cClaudia Clare.
264 1 $aLondon ;$aNew York :$bBloomsbury Academic,$c2016.
300 $a160 pages :$bcolor illustrations ;$c28 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"Satire has been used in ceramic production for centuries. Historically, it occurred as a slogan or proverb written into the ceramic surface; as pictorial surface imagery; or as a satirical figurine. The use of satire in contemporary ceramics is a rapidly evolving trend, with many artists subverting or otherwise rethinking familiar historic forms to make a political point.Claudia Clare examines the relationship between ceramics, social politics, and political movements and the way both organisations and individual artists have used pots - predominantly domestic objects - to agitate among the masses or simply express their ideas. Ninety colour illustrations of various subversive, satirical and campaigning works illustrate her arguments and enliven debate.Claudia Clare explores work by artists from twenty-one different countries, from 500 BC to the present day. These range from the French artist Honoré Daumier and the enslaved African-American potter David Drake to contemporary artists including Lubaina Himid, Virgil Ortiz and Shlomit Bauman,whose work and the means of its production has addressed or commented upon issues such as disputed homelands, identify, race, gender and colonialism." -- Publisher's description
504 $aIncludes bibliographical references and index.
505 8 $aIntroduction -- Part one: Subversion and satire: Definitions and history. Vice and folly -- Objection! A history of protest -- Part two: Breaking out: The influence of political and social movements on the studio potter and ceramicist -- The peasants' revolt: Form and message -- Emancipation: New methods of production -- The campaigning trail -- Conclusion: Observations and recommendations.
650 0 $aPottery$xSocial aspects.
650 0 $aSocial problems in art.
650 0 $aSatire in art.
650 7 $aANTIQUES & COLLECTIBLES$xPottery & Ceramics.$2bisacsh
650 7 $aPottery$xSocial aspects.$2fast$0(OCoLC)fst01073607
650 7 $aSatire in art.$2fast$0(OCoLC)fst01105676
650 7 $aSocial problems in art.$2fast$0(OCoLC)fst01122805
650 7 $aSatir i konsten.$2sao
650 7 $aKeramik.$2sao
852 00 $boff,ave$hNK4252.S63$iC59 2016