MARC Record from marc_columbia

LEADER: 03154cam a2200505Ii 4500
001 11917725
005 20160623143011.0
008 150821t20162016be a b 000 0 eng d
019 $a920656398
020 $a9789462700420
020 $a9462700427
035 $a(OCoLC)ocn919192114
035 $a(OCoLC)919192114$z(OCoLC)920656398
035 $a(NNC)11917725
040 $aERASA$beng$erda$cERASA$dOCLCO$dYDXCP$dOCLCQ$dMZA$dCDX$dJPG$dBDX$dOCLCF
050 4 $aNX180.I57$bP456x 2016
082 04 $a700.411.2
245 04 $aThe photofilmic :$bentangled images in contemporary art and visual culture /$cedited by Brianne Cohen & Alexander Streitberger.
264 1 $aLeuven :$bLeuven University Press,$c[2016]
264 4 $c©2016
300 $a301 pages :$billustrations (some color) ;$c23 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aLieven Gevaert series ;$vvol. 21
504 $aIncludes bibliographical references.
520 8 $aThis book explores the different ways in which art, cinema, and other forms of visual culture respond to a digitized and networked world. Traditional discourses on medium specificity, developed in distinct disciplines, often fail to provide an adequate description of the transformations that photography and film have undergone. The essays, written by internationally renowned scholars, encompass a broad range of different media such as video, documentary film, cinema, photography, and the Internet, as well as different disciplines such as art history, film studies, photography theory, visual culture studies, and media theory. In this way they deal with various practices or techniques ranging from panoramas, drone surveillance, tableau vivant, press coverage, computer-based editing, digitized financial markets, and various concepts such as temporality and contemporaneity, eco-aesthetics and forensic practice, countervisuality, human rights and political imagination, social transparency and control, thus mapping the possibilities of photofilmic images within contemporary art and visual culture. This volume also contains, as an artist's contribution, a substantial and richly illustrated interview with Eric Baudelaire.
650 0 $aArt and the Internet.
650 0 $aCinematography and photography.
650 0 $aArt and photography.
650 0 $aTime in art.
650 0 $aWar$xPress coverage.
600 10 $aBaudelaire, Eric,$d1973-$vInterviews.
600 17 $aBaudelaire, Eric,$d1973-$2fast$0(OCoLC)fst01630447
650 7 $aArt and photography.$2fast$0(OCoLC)fst00815420
650 7 $aArt and the Internet.$2fast$0(OCoLC)fst01739207
650 7 $aCinematography and photography.$2fast$0(OCoLC)fst01763827
650 7 $aTime in art.$2fast$0(OCoLC)fst01151107
650 7 $aWar$xPress coverage.$2fast$0(OCoLC)fst01170359
655 7 $aInterviews.$2fast$0(OCoLC)fst01423832
700 1 $aCohen, Brianne,$eeditor.
700 1 $aStreitberger, Alexander,$eeditor.
830 0 $aLieven Gevaert series ;$vv. 21.
852 00 $boff,fax$hNX180.I57$iP456 2016g