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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-024.mrc:24736654:3056
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-024.mrc:24736654:3056?format=raw

LEADER: 03056cam a2200385Ii 4500
001 11548259
005 20151019134616.0
008 150630s2015 enka b 000 0beng d
020 $a9781780234298 (pbk.)
020 $a1780234295 (pbk.)
035 $a(OCoLC)ocn891615195
035 $a(OCoLC)891615195
035 $a(NNC)11548259
040 $aBTCTA$beng$erda$cBTCTA$dBDX$dYDXCP$dCDX$dOCLCO$dCOO$dOCLCF$dNZAUC$dNOC$dOCLCO$dJHE
043 $ae-uk-en
050 4 $aPR5263$b.B295 2015
082 04 $a828.809$223
100 1 $aBallantyne, Andrew,$eauthor.
245 10 $aJohn Ruskin /$cAndrew Ballantyne.
264 1 $aLondon :$bReaktion Books,$c2015.
300 $a252 pages :$billustrations ;$c20 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aCritical lives
504 $aIncludes bibliographical references (pages 241-248).
505 0 $aA start in life -- Turner and the picturesque -- The Pre-Raphaelites -- The seven lamps of architecture -- Lapping waves, living stones -- Reform -- Influence.
520 $a"John Ruskin (1819-1900) was the most prominent art and architecture critic of his day. His books, pamphlets and letters to the press had an influence on all classes of society, from road-menders to royalty, and he still maintains a popular reputation today, though he is remembered less for his views than for his failed marriage to Effie Gray, who left him for the Pre-Raphaelite artist John Everett Millais. Frequently imagined as a Victorian prude, there was far more to Ruskin than this derisory description suggests. John Ruskin shows us how Ruskin's ideas gave a moral character to art, architecture and the Picturesque and reveals how and why his reputation endures. Ruskin's devoted parents were convinced that their son was a genius and encouraged him to write about the moral and spiritual value of art rather than his other major passion, geology. While his parents lived Ruskin wrote his best works: Modern Painters, The Seven Lamps of Architecture, The Stones of Venice and Unto This Last. After they died Ruskin seemed lost until he put himself in the hands of a younger cousin, Joan Severn, who guarded his reputation while his mental capacities declined, beyond the public gaze, in the Lake District. This book weaves Ruskin's life and work into a fascinating narrative about Victorian society: Ruskin understood art, its beauty and wonder, as a solution to the miseries of the urban poor and the key to living a worthwhile life. Offering fresh readings of Ruskin's major texts, this is an engaging biography of the artist's life and times."--Readings website.
600 10 $aRuskin, John,$d1819-1900.
650 0 $aArt critics$zGreat Britain$vBiography.
650 0 $aAuthors, English$y19th century$vBiography.
600 17 $aRuskin, John,$d1819-1900.$2fast$0(OCoLC)fst00030222
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
830 0 $aCritical lives (London, England)
852 0 $bglx$hPR5263$i.B295 2015