| Record ID | marc_columbia/Columbia-extract-20221130-024.mrc:33643443:1451 |
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LEADER: 01451cam a2200313Ia 4500
001 11561781
005 20151019135448.0
008 150403s2015 ne 000 0 eng d
019 $a912243174$a914064785
020 $a9789089648914
020 $a9089648917
035 $a(OCoLC)ocn906678653
035 $a(OCoLC)906678653$z(OCoLC)912243174$z(OCoLC)914064785
035 $a(NNC)11561781
040 $aERASA$beng$cERASA$dOCLCO$dBDX$dYDXCP$dOCLCO$dCDX$dNNC
050 4 $aPN1998.3.F365$bP3613 2015
082 04 $a791
100 1 $aPantenburg, Volker.
245 10 $aFarocki/Godard. Film as theory.$cVolker Pantenburg.
260 $aAmsterdam :$bAmsterdam University Press$c2015.
300 $a285 p. :$bill ;$c24 cm.
490 1 $aFilm Culture in Transition
504 $aIncludes bibliographical references (p.263-274) and index.
520 8 $aThis book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki-to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."
650 0 $aMotion pictures.
600 10 $aFarocki, Harun.
600 10 $aGodard, Jean-Luc,$d1930-
830 0 $aFilm culture in transition.
852 00 $bglx$hPN1998.3.F365$iP3613 2015g