MARC Record from marc_columbia

LEADER: 03956cam a2200685 a 4500
001 11561815
005 20151019135451.0
008 080208s2007 be a b 001 0 eng d
010 $a 2008398519
015 $aGBA750058$2bnb
016 7 $a013779461$2Uk
020 $a9782503520728
020 $a2503520723
035 $a(OCoLC)ocm86226231
035 $a(OCoLC)86226231
035 $a(NNC)11561815
040 $aMTG$beng$cMTG$dDLC$dOHX$dBTCTA$dBAKER$dUKM$dYDXCP$dNUI$dBWX$dCOD$dIAY$dCDX$dNLGGC$dVRC$dGEBAY$dDEBSZ$dDEBBG$dMUU$dUKMGB$dOCLCF$dOCLCO$dOCLCQ$dOCLCO
041 0 $aeng$afre
042 $alccopycat
043 $ae-fr---
050 00 $aPQ211$b.T39 2007
082 04 $a841.109$222
084 $a18.25$2bcl
084 $aIE 5086$2rvk
084 $aIE 5932$2rvk
100 1 $aTaylor, Jane H. M.
245 14 $aThe making of poetry :$blate-medieval French poetic anthologies /$cby Jane H.M. Taylor.
260 $aTurnhout, Belgium :$bBrepols,$c©2007.
300 $axvi, 310 pages :$billustrations ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aTexts and transitions ;$vv. 1
546 $aText in English with poems in French.
504 $aIncludes bibliographical references and index.
520 1 $a"In this ground-breaking book, the author explores some late-medieval lyric anthologies. Taking a cue from the French sociologist, Pierre Bourdieu, she sets poetic creation in the context of an understanding of the structures of court society, and sketches the range of social, intellectual, and aesthetic positions available to the poet and the patron. Her primary focus is on a series of manuscripts which, she argues, reveal much about the socioliterary dynamics of particular poems, and about the way in which they are vessels for the participation by individuals in a common culture of literary exchange Charles d'Orleans's personal manuscript, BNF francais 25458, in which, she argues, the poets leave implicit or explicit traces of their social interactions, his duchess Marie's album, Carpentras 375, which is interestingly different from the Duke's, BNF fr. 9223 and n.a.f. 15771, 'coterie' manuscripts which allow us to see how social milieu determines shared literary forms and conventions, Marguerite d'Autriche's Album poetique Brussels BR 10572, an anthology which is a cultural commodity allowing a princely court to recognise stylistic expertise and control of from. She finishes by examining the first great French poetic anthology, Antoine Verard's Jardin de Plaisance (1501), which seeks to recreate, knowingly and imaginatively, via rubries illustrations, and choice of texts, the elite sociability for which the other anthologies are evidence."--Jacket.
650 0 $aFrench poetry$yTo 1500$xHistory and criticism.
650 0 $aLiterature and society$zFrance$xHistory$yTo 1500.
650 04 $aGedichten.
650 7 $aFrench poetry.$2fast$0(OCoLC)fst00934799
650 7 $aLiterature and society.$2fast$0(OCoLC)fst01000096
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
650 17 $aGedichten.$2gtt
650 07 $aLyrik.$2swd
650 07 $aAnthologie.$2swd
650 07 $aHof.$2swd
651 7 $aFranzösisch.$2swd
651 7 $aFrankreich.$2swd
650 07 $aAnthologie.$0(DE-588)4002214-6$2gnd
650 07 $aFranzösisch.$0(DE-588)4113615-9$2gnd
650 07 $aHof.$0(DE-588)4025453-7$2gnd
650 07 $aLyrik.$0(DE-588)4036774-5$2gnd
651 7 $aFrankreich.$0(DE-588)4018145-5$2gnd
648 7 $aGeschichte 1400-1500$2swd
648 7 $aTo 1500$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aTaylor, Jane H.M.$tMaking of poetry.$dTurnhout, Belgium : Brepols, ©2007$w(OCoLC)608415695
830 0 $aTexts and transitions ;$vv. 1.
852 00 $bglx$hPQ211$i.T39 2007