MARC Record from marc_columbia

LEADER: 03505cam a2200553Ii 4500
001 11581987
005 20151117181810.0
008 140804t20142014enka f bc 000 0 eng d
019 $a885012875
020 $a9783863355715 (pbk.)
020 $a3863355717 (pbk.)
029 1 $aAU@$b000053443031
029 1 $aZWZ$b181072459
029 1 $aNZ1$b15701367
029 1 $aAU@$b000053445899
035 $a(OCoLC)889792065
035 $a(POOF)38770
035 $a(NNC)11581987
040 $aUKWOH$beng$erda$cUKWOH$dOCLCO$dEUX$dVVPCS$dYDXCP$dOCLCF$dWVU$dOCLCO
050 4 $aN6488.G7$bL58 2014
072 7 $aART$2eflch
072 7 $aART$2ukslc
082 04 $a700$223
245 02 $aA needle walks into a haystack /$ccommissioning editors Mai Abu ElDahab, Anthony Huberman, Camille Pageard.
264 1 $aLondon :$bKoenig Books and Liverpool Biennial,$c[2014]
264 4 $c©2014
300 $a144 pages :$billustrations (black and white) ;$c23 cm
336 $atext$2rdacontent
336 $astill image$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
500 $aPublished on the occasion of the 8th Liverpool Biennial, A needle walks into a haystack, curated by Mai Abu ElDahab and Anthony Huberman, 5th July-26th October 2014.
504 $aIncludes bibliographical references.
521 $aSpecialized.
500 $a"A needle walks into a haystack is an exhibition of works that disrupt the way we assume our habits, and experience our habitats. Taking shape through different interconnected parts, it includes a group exhibition, four solo shows, an exhibition of works from a collection, art in public space, lectures, a performative weekend, and this publication"--Page 137.
520 $a"A needle walks into a haystack reflects on how notions of intimacy, delinquency, and inefficiency inform and permeate many contemporary art practices today. This publication is not intended as a catalogue or documentation, but as another 'site' of the exhibition, locating a similar spirit in the work of cultural critics, novelists, philosophers, poets and others who work with the written word. The contributors were asked to respond to and extend specific texts, references or ideas that informed the process of conceiving the exhibition itself"--Page 5.
505 00 $tWriting for an absent friend /$rCamille Pageard --$tPossible beginnings /$rLisa Robertson and Matthew Stadler --$t'A monster was born' : notes on the rebirth of the 'corrupt intellectual' /$rHassan Khan --$tRepresentations of an intellectual : professionals and amateurs /$rEdward Said --$tYou play every time you rehearse /$rMai Abu ElDahab --$tAfterword : The death of the translator /$rGeorge Szirtes --$tSomething went wrong /$rKeren Cytter --$tIn tansu /$rKarl Larsson --$tEddie /$rAnthony Huberman --$tTwice /$rEileen Myles --$tTo whom it may concern /$rAngie Keefer --$rSilence/noise /$rDavid Antin.
611 20 $aLiverpool Biennial of Contemporary Art.
650 0 $aArt, Modern$y21st century$vExhibitions.
650 7 $aArt and Design.$2eflch
650 7 $aArt and Design.$2ukslc
650 7 $aArt, Modern.$2fast$0(OCoLC)fst00816615
648 7 $a2000 - 2099$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aAbu ElDahab, Mai,$eeditor.
700 1 $aHuberman, Anthony,$eeditor.
700 1 $aPageard, Camille,$eeditor.
711 2 $aLiverpool Biennial of Contemporary Art,$jassociated name.
852 00 $bfaxlc$hN6488.G7$iL58 2014g