Record ID | marc_columbia/Columbia-extract-20221130-024.mrc:53680545:3523 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-024.mrc:53680545:3523?format=raw |
LEADER: 03523cam a2200553Ii 4500
001 11595508
005 20151117183905.0
008 151006t20142014mdua bc 000 0 eng d
019 $a889733657$a910502542
020 $a9781890761196
020 $a1890761192
035 $a(OCoLC)ocn889738047
035 $a(OCoLC)889738047$z(OCoLC)889733657$z(OCoLC)910502542
035 $a(NNC)11595508
040 $aBTCTA$beng$erda$cBTCTA$dYDXCP$dOCLCO$dUAB$dOCLCO$dCDX$dOCLCO$dAUAAR$dWVU$dOCLCO$dOCLCF$dOCLCO
043 $ae-gx---$an-us---
050 4 $aTR646.G3$bV58 2014
082 04 $a779$223
245 00 $aVisibility machines :$bHarun Farocki and Trevor Paglen /$c[curated by] Niels van Tomme.
264 1 $aBaltimore, Maryland :$bCenter for Art, Design and Visual Culture,$c[2014]
264 4 $c©2014
300 $a160 pages :$billustrations (some color) ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished for exhibition of same name held at the Center for Art, Design and Visual Culture, University of Maryland, Baltimore County, October 24, 2013-February 22, 2014 and two other venues.
504 $aIncludes bibliographical references.
505 2 $aImage as machine / Niels Van Tomme -- Operational art / Jimena Canales -- Reclaiming information, rebuilding stories: reinventing fundamental rights / Hilde Van Gelder -- Evidence of what? Harun Farocki and Trevor Paglen picture homeland insecurity / Jonathan Kahana -- Serious games / Harun Farocki -- Sources and methods / Trevor Paglen.
520 $a"VISIBILITY MACHINES explores the unique roles Harun Farocki and Trevor Paglen play as meticulous observers of the global military industrial complex. Investigating forms of surveillance, espionage, war-making, and weaponry, Farocki and Paglen each examine the deceptive and clandestine ways in which military projects have deeply transformed, and politicized, our relationship to images and the realities they seem to represent. The exhibition initiates critical questions about the crucial part images play in revealing essential but largely concealed information affecting civilian life, and places the oeuvres of Harun Farocki and Trevor Paglen within the broader cultural and historical developments of the media they are creatively working with, namely photography, film, and new media."--Publisher description.
600 10 $aFarocki, Harun$vExhibitions.
600 10 $aPaglen, Trevor$vExhibitions.
650 0 $aArmed Forces in art$vExhibitions.
650 0 $aVideo art$zGermany$vExhibitions.
650 0 $aPhotography, Artistic$vExhibitions.
650 0 $aPhotography$zUnited States$vExhibitions.
600 17 $aFarocki, Harun.$2fast$0(OCoLC)fst00420780
600 17 $aPaglen, Trevor.$2fast$0(OCoLC)fst01657992
650 7 $aArmed Forces in art.$2fast$0(OCoLC)fst00814641
650 7 $aPhotography.$2fast$0(OCoLC)fst01061714
650 7 $aPhotography, Artistic.$2fast$0(OCoLC)fst01061964
650 7 $aVideo art.$2fast$0(OCoLC)fst01166389
651 7 $aGermany.$2fast$0(OCoLC)fst01210272
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aFarocki, Harun,$eartist.
700 1 $aPaglen, Trevor,$eartist.
700 1 $aTomme, Niels Van,$ecurator.
710 2 $aUniversity of Maryland, Baltimore County.$bCenter for Art, Design, and Visual Culture,$ehost institution.
852 00 $bfaxlc$hTR646.G3$iV58 2014g