MARC Record from marc_columbia

LEADER: 02901cam a2200373 i 4500
001 11609207
005 20151221142949.0
008 150611t20152015enka b 001 0 eng d
019 $a907178326
020 $a9781781381786$qhardcover
020 $a178138178X$qhardcover
024 $a40025306133
035 $a(OCoLC)923878584
035 $a(OCoLC)ocn923878584
035 $a(NNC)11609207
040 $aERASA$beng$erda$cERASA$dBDX$dBTCTA$dYDXCP$dYNK$dNhCcYBP
050 4 $aN72.S6$bT73 2015
082 04 $a700.1/03$223
245 00 $aTransvisuality :$bthe cultural dimension of visuality.$nVolume 2,$pVisual organisations /$cTore Kristensen; Anders Michelsen; Frauke Wiegand.
264 1 $aLiverpool :$bLiverpool University Press$c2015.
264 4 $c©2015
300 $axi, 251 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
520 8 $aIn contemporary society, 'the visual' becomes a traversing denominator passing through the most diverse articulations: from new media, branding, drone vision and robot culture to cityscapes, design and art. The transvisuality project in three volumes promotes the turn away from the predominance of a focus on representations in studies of visual culture. Volume 2 introduces visual organisation in-the-making as an effect of manifold traversing articulations and interconnected practices: how is the 'stuff' of visuality-an image like a photograph, an incident on TV, a cinematic oeuvre-intertwined in a range of cultural practices, transformed and transgressed by them in transvisuality. The aim of the book is to map how visual organizations are traversing culture as articulatory practices in situ. The resulting case studies take their departure in different materialities and agencies of empirical, embedded visuality-from canvas to drone camera-and illustrate how transvisuality evolves in and around publics and communities on the one hand and through bodies and media on the other.0The visual articulations analysed in this volume span from cellphone videos to forensic images, from biomedia to robots, from bunker ruins to Kalighat pat paintings, from a Palestinian wedding dress to video footage of unknown strangers in a metro, from the Gorgon Stare to movies becoming art installations. While the first volume addresses the boundaries of the notion of visuality and creative openings that visual culture studies offer, the third volume maps visuality in contexts of design, creativity and brand management.
650 0 $aArt and society.
650 0 $aArt and popular culture.
650 0 $aVisual communication$xSocial aspects.
700 1 $aKristensen, Tore,$eeditor.
700 1 $aMichelsen, Anders,$d1957-$eeditor.
700 1 $aWiegand, Frauke,$eeditor.
852 00 $boff,fax$hN72.S6$iT73 2015g