MARC Record from marc_columbia

LEADER: 03337cam a2200553Ii 4500
001 11629630
005 20160118115425.0
008 151106s2015 sz ac bc 000 0 eng d
019 $a910702915$a910858891
020 $a9783037644126
020 $a3037644125
035 $a(OCoLC)ocn917368465
035 $a(OCoLC)917368465$z(OCoLC)910702915$z(OCoLC)910858891
035 $a(NNC)11629630
040 $aERASA$beng$erda$cERASA$dYDXCP$dBTCTA$dBDX$dOCLCO$dGZN$dOCLCO$dOCLCF$dOCLCO$dMZA$dOHX$dJPG
041 1 $aeng$afre
050 14 $aN6853.A88$bA4x 2015
072 7 $aN$2lcco
082 04 $a700.411.2
100 1 $aAttia, Kader,$d1970-$eartist.
240 10 $aWorks.$kSelections
245 10 $aKader Attia /$ceditor, Nicole Schweizer.
264 1 $aZürich :$bJRP Ringier,$c[2015]
264 4 $c©2015
300 $a157 pages :$billustrations (chiefly color), portraits ;$c29 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
546 $aParallel text in English and French.
500 $aPublished on the occasion of the exhibition "Kader Attia. Les Blessures sont la Injuries are here" at Musée cantonal des Beaux-Arts, May 22-August 30, 2015.
504 $aIncludes bibliographical references.
520 8 $aThis monograph gives a comprehensive overview of the variety and scope of the research carried out by Kader Attia (*1970 in Dugny, Seine-Saint-Denis, lives and works in Berlin and Algiers) over the past 15 years, using media as varied as installation, video, photography, and collage. It highlights the unique and powerful ways in which Attia addresses the global entanglement of culture, politics, and identity. Attia’s artistic research is informed by his own experience of moving back and forth as a child between France and Algeria, between the Christian Occident and the Islamic Maghreb, and later by his years spent in Venezuela and the Congo. His work tackles, in a very explicit yet poetic way, the entangled relationship between Western thought and non-Western cultures, particularly through architecture, the human body, history, culture, and religion.0.
505 0 $aAfter-flow: Kader Attia's postcolonial topologies / Kobena Mercer -- Bodies, spaces, and artifacts: montage and reparation as forms of history / Noémie Étienne -- Seeing the world from a different perspective: Kader Attia in conversation / with Brigitte Derlon & Monique Jeudy-Ballini
600 10 $aAttia, Kader,$d1970-$vExhibitions.
650 0 $aArt, Modern$y21st century$vExhibitions.
650 0 $aInstallations (Art)$y21st century$vExhibitions.
650 0 $aArt, French$y21st century$vExhibitions.
650 0 $aArt, Algerian$y21st century$vExhibitions.
600 17 $aAttia, Kader,$d1970-$2fast$0(OCoLC)fst01672036
650 7 $aArt, Algerian.$2fast$0(OCoLC)fst00815891
650 7 $aArt, French.$2fast$0(OCoLC)fst00816279
650 7 $aArt, Modern.$2fast$0(OCoLC)fst00816615
650 7 $aInstallations (Art)$2fast$0(OCoLC)fst00974250
648 7 $a2000 - 2099$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aSchweizer, Nicole,$eeditor.
710 2 $aMusée cantonal des beaux-arts Lausanne,$ehost institution.
852 00 $bfaxlc$hN6853.A88$iA4 2015g