MARC Record from marc_columbia

LEADER: 02182cam a2200325Ia 4500
001 12257931
005 20170319213741.0
008 161028s2016 gw ac 000 0 eng d
019 $a948340488
020 $a9783954761517
020 $a3954761513
035 $a(OCoLC)ocn948560905
035 $a(OCoLC)948560905$z(OCoLC)948340488
035 $a(NNC)12257931
040 $aBTCTA$beng$cBTCTA$dBDX$dYDXCP$dERASA$dOCLCQ$dOHX$dJPG
050 4 $aNX558.Z9$bF352x 2016
082 04 $a700.411
100 1 $aFalsnaes, Christian,$d1980-
245 10 $aChristian Falsnaes :$bElixir /$ceditors, Aaron Bogart and Christian Falsnaes ; texts, Carson Chan ... [et al.].
246 30 $aElixir
260 $aBerlin :$bDistanz Verlag,$cc2016.
300 $a205 p. :$bill. (chiefly col.), ports. ;$c30 cm.
500 $aContsains no title page, title from cover.
520 8 $aI'm going to do this performance with all of you. Without you there would be no performance ..., shouts Christian Falsnaes (b. Copenhagen, 1980; lives and works in Berlin) at the beginning of his engaging performance, Front. It is his relationship to the audience that lies at the core of his artistic practice. Falsnaes's idea of performance revolves around participatory pieces where the spectators and the artist work in conjunction to produce an artwork. He and the various viewers who have helped him work with diverse media, including painting, collage, installation, and video. At the core of this dynamic relationship-between the artist and audience-are the rules, customs, and behavior that give rise to the result of the interaction. Themes of authority, submission, and uniqueness under- write the unforeseeable and uncontrollable nature of his performances. This monograph documents these varied actions and outcomes as well as contains short descriptions of the works from curators who were involved in them, including Carson Chan, Catharina Gebbers, and Jule Hilgärtner.
600 10 $aFalsnaes, Christian,$d1980-
650 0 $aPerformance art$y21st century.
650 0 $aArts audiences$y21st century.
700 1 $aBogart, Aaron.
700 1 $aChan, Carson,$d1980-
852 00 $boff,fax$hNX558.Z9$iF352 2016g