Record ID | marc_columbia/Columbia-extract-20221130-025.mrc:102453417:3660 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-025.mrc:102453417:3660?format=raw |
LEADER: 03660cam a2200469 i 4500
001 12257961
005 20170319213809.0
008 161028t20162016gw a bc 001 0deng d
019 $a946463420
020 $a9783791355528$q(English trade edition ;$qhardback)
020 $a379135552X$q(English trade edition ;$qhardback)
029 1 $aZWZ$b196428165
035 $a(OCoLC)ocn946482625
035 $a(OCoLC)946482625$z(OCoLC)946463420
035 $a(NNC)12257961
040 $aBTCTA$beng$erda$cBTCTA$dBDX$dERASA$dYDXCP$dVU@$dNLF$dOCLCF$dZWZ$dOSU$dFDA$dIXA
050 4 $aND497.A48$bA4 2016
050 4 $aND497.A4$bA4 2016
082 04 $a700-9492
245 00 $aLawrence Alma-Tadema :$bat home in Antiquity /$cedited for the Fries Museum by Elizabeth Prettejohn & Peter Trippi ; introductions by Elizabeth Prettejohn ; essays by Jan Dirk Baetens, Ivo Blom, Petra ten-Doesschate Chu, Markus Fellinger, Charlotte Gere, Elizabeth Prettejohn, Daniel Robbins, Marlies Stoter, Peter Trippi ; highlights by Eline van den Berg, Carolyn Epps Dixon, Alistair Grant, Anne Helmreich, Ian Jenkins, Stephanie Moser, Wendy Sijnesael, Robert Verhoogt.
264 1 $aMunich ;$aLondon ;$aNew York :$bPrestel,$c[2016]
264 4 $c©2016
300 $a239 pages :$billustrations (some color) ;$c31 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of the exhibition's presentation at Fries Museum, Leewarden, The Netherlands, 1 October 2016-7 February 2017; Belvedere, Vienna, Austria, 24 February-18 June 2017; Leighton House Museum, London, United Kingdom, 7 July-29 October 2017.
504 $aIncludes bibliographical references (pages 211-218) and indexes.
520 8 $aThis re-evaluation of the Dutch- born painter Lawrence Alma-Tadema traces his personal and artistic journey towards international fame and success in London and investigates how this exceptionally creative artist used his own houses and studios as laboratories to produce vivid paintings of life in ancient Greece, Rome, and Egypt. Lawrence Alma-Tadema's paintings were immensely popular among his contemporaries, and have since enchanted a wide audience through the medium of cinema. Anyone who has ever enjoyed the great epic films of antiquity from Italian silent classics and Cecil B. DeMille to Ridley Scott s Gladiator will instantly recognize their origins in sets and costumes Alma-Tadema invented. Accompanied by glowing reproductions of the artist's rich and detailed works, this book boldly re-assesses Alma-Tadema's art through the idea of home: from his admiration for the interiors depicted in early Dutch paintings through his fascination with Pompeian ruins, to his creation of large studio houses that were artworks in their own right.
600 10 $aAlma-Tadema, Lawrence,$d1836-1912$vExhibitions.
600 10 $aAlma-Tadema, Lawrence,$d1836-1912$xCriticism and interpretation.
600 17 $aAlma-Tadema, Lawrence,$d1836-1912.$2fast$0(OCoLC)fst01800524
600 17 $aAlma-Tadema, Lawrence$d(1836-1912).$2ram
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aPrettejohn, Elizabeth,$eeditor,$eauthor,$ewriter of introduction.
700 1 $aTrippi, Peter,$eeditor,$eauthor.
710 2 $aFries Museum (Leeuwarden, Netherlands),$ehost institution.
710 2 $aÖsterreichische Galerie Belvedere,$ehost institution.
710 2 $aLeighton House (London, England),$ehost institution.
852 00 $bfaxlc$hND497.A4$iA4 2016g