| Record ID | marc_columbia/Columbia-extract-20221130-025.mrc:108170164:2841 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-025.mrc:108170164:2841?format=raw |
LEADER: 02841cam a2200517 i 4500
001 12267894
005 20170117122407.0
008 160815s2016 nyua b 001 0deng
010 $a 2016014311
020 $a9780823272891 (cloth : alk. paper)
020 $a0823272893 (cloth : alk. paper)
020 $a9780823272907 (pbk. : alk. paper)
020 $a0823272907 (pbk. : alk. paper)
024 $a40026546769
035 $a(OCoLC)963703625
035 $a(OCoLC)ocn963703625
035 $a(NNC)12267894
040 $aDLC$beng$erda$cDLC$dYDXCP$dBDX$dBTCTA$dOCLCF$dVYF
042 $apcc
043 $an-us---
050 00 $aE444$b.N43 2017
082 00 $a306.3/62092$223
100 1 $aNeary, Janet,$eauthor.
245 10 $aFugitive Testimony :$bOn the Visual Logic of Slave Narratives /$cJanet Neary.
246 30 $aOn the visual logic of slave narratives
250 $aFirst edition.
264 1 $aNew York :$bFordham University Press,$c2017.
300 $a222 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction : representational static -- Sight unseen : contemporary visual slave narratives -- Behind the scenes and inside out : Elizabeth Keckly's use of the slave narrative form -- Optical allusions: textual visuality in running a thousand miles for freedom -- "The shadow of the cloud" : racial speculation and cultural vision in Solomon Northup's Twelve years a slave -- Gestures against movements : Henry Box Brown and economies of narrative performance -- Epilogue : racial violence, racial capitalism, and reading revolution: Harriet Jacobs, John Jones, Kerry James Marshall, and Kyle Baker.
505 0 $a"Fugitive Testimony examines African American slave narratives in light of contemporary artists' use of the genre within their visual art at the end of the twentieth century. It identifies a sustained representational strategy employed by black cultural producers across time to challenge the racial presumptions that manifest as artistic constraints." -- Provided by publisher.
650 0 $aSlave narratives$zUnited States$xHistory and criticism.
650 0 $aSlavery in art.
650 0 $aSemiotics and the arts.
650 0 $aArt, Modern$y20th century$xThemes, motives.
650 7 $aArt, Modern$xThemes, motives.$2fast$0(OCoLC)fst00816663
650 7 $aSemiotics and the arts.$2fast$0(OCoLC)fst01112371
650 7 $aSlave narratives.$2fast$0(OCoLC)fst01120401
650 7 $aSlavery in art.$2fast$0(OCoLC)fst01120514
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
648 7 $a1900-1999$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
852 00 $bglx$hE444$i.N43 2017