| Record ID | marc_columbia/Columbia-extract-20221130-025.mrc:108253864:1844 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-025.mrc:108253864:1844?format=raw |
LEADER: 01844cam a2200373Ii 4500
001 12267935
005 20161219174023.0
008 151203t20162016mnu 000 e eng d
020 $a9781555977597$q(paperback)
020 $a1555977596$q(paperback)
024 $a40026546814
035 $a(OCoLC)ocn931005540
035 $a(OCoLC)931005540
035 $a(NNC)12267935
040 $aYDXCP$beng$erda$cYDXCP$dBTCTA$dBDX$dOCLCQ$dGK8$dTOH$dSFR$dOCLCO$dWIM$dCPL
050 4 $aPN3355$b.P393 2016
082 04 $a808.3$223
100 1 $aPercy, Benjamin,$eauthor.
240 10 $aEssays.$kSelections
245 10 $aThrill me :$bessays on fiction /$cBenjamin Percy.
264 1 $aMinneapolis, Minnesota :$bGraywolf Press,$c[2016]
264 4 $c©2016
300 $a174 pages ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"In fifteen essays that challenge the notion that literary and genre fiction are mutually exclusive turns to Cormac McCarthy, Urusula K. Le Guin, Stephen King, and others to discover how contemporary writers engage plot, character, dialogue, and suspense"--Page [4] of cover.
505 00 $tThrill me --$tUrgency --$tSet pieces: staging the iconic scene --$tThere will be blood: writing violence --$tMaking the extraordinary ordinary --$tDesigning suspense --$tDon't look back --$tModulation: the art of reversal --$tSounds like writing --$tMove mountains: activating setting --$tFeckless pondering --$tGet a job --$tConsider the orange: meaningful repetition --$tHome improvement: revision as renovation --$tGo the distance.
650 0 $aFiction$xAuthorship.
650 0 $aFiction$xTechnique.
650 0 $aCreative writing.
650 0 $aFiction$xHistory and criticism.
655 7 $aEssays.$2lcgft
852 00 $bglx$hPN3355$i.P393 2016