MARC Record from marc_columbia

LEADER: 02822cam a2200409Ii 4500
001 12295676
005 20170419142734.0
008 161202s2016 sw a bc 000 0 eng d
019 $a951227775
020 $a9783037644720
020 $a3037644729
035 $a(OCoLC)ocn951509350
035 $a(OCoLC)951509350$z(OCoLC)951227775
035 $a(NNC)12295676
040 $aBTCTA$beng$erda$cBTCTA$dBDX$dYDXCP$dOHX$dERASA$dJPG$dGZN$dOCLCF
041 0 $aeng$afre
050 4 $aN7255.C763$bM352x 2016
082 04 $a700.411
100 1 $aMaljković, David,$eartist.
245 10 $aDavid Maljković :$bin low resolution.
246 30 $aIn low resolution
264 1 $aZurich :$bJRP Ringier,$c[2016]
300 $a74 pages :$billustrations (chiefly color) ;$c30 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalog of an exhibition held at the Palais de Tokyo, Paris, October 20, 2014-January 11, 2015.
504 $aIncludes bibliographical references.
520 8 $aFor the past 15 years, David Maljkovic has been fascinated with the French car company Peugeot and its futuristic "concept cars" conceived in the 1980s to modelize what the car industry would look like in the 2000s--now evidence of a long outdated belief in progress and technology. In his film "Out of Projection" (2009-2015), filmed at the Peugeot headquarters and innovation campus in Sochaux (eastern France), automobile prototypes accompanied by now-retired former employees unfurl before us, serving as symbolic links between past and future, and giving us an insight into our complex contemporary relationship with past forms, time, and space. Centered on this landmark work, which is unfolded through related projects, archives, documentation, film stills, etc., this artist's book constitutes an emblematic case study of David Maljkovic's practice and obsessions. Designed by London-based graphic design studio Åbäke, it is published as the editorial sequel of the exhibition "In Low Resolution" held at Palais de Tokyo, Paris, in 2014, and co-organized with the Festival d'Automne à Paris. Besides publishing never-before-seen material, it also contains an essay by curator and art critic François Piron, and an interview with Julien Fronsacq, curator of David Maljkovic's exhibition at Palais de Tokyo.
546 $aText in English and French.
600 10 $aMaljković, David$vExhibitions.
600 17 $aMaljković, David.$2fast$0(OCoLC)fst01632923
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
710 2 $aPalais de Tokyo (Museum : Paris, France),$ehost institution,$eorganizer.
711 2 $aFestival d'automne à Paris,$jorganizer.
852 00 $bfaxlc$hN7255.C763$iM352 2016g