MARC Record from marc_columbia

LEADER: 02001cam a2200289Ia 4500
001 12302164
005 20170319214725.0
008 161209s2016 gw a 000 0 eng d
020 $a9783863358815
020 $a3863358813
035 $a(OCoLC)ocn949911516
035 $a(OCoLC)949911516
035 $a(NNC)12302164
040 $aERASA$beng$cERASA$dOHX$dJPG
050 4 $aML3849$b.M49x 2016
082 04 $a700.411.22
100 1 $aMeyers, Ari Benjamin,$d1972-
245 10 $aAri Benjamin Meyers :$bmusic on display /$c[editor] Marie-France Rafael.
246 30 $aMusic on display
260 $aKöln :$bBuchhandlung Walther König,$cc2016.
300 $a80 p. :$bill. ;$c18 cm.
520 8 $aAri Benjamin Meyers plumbs the boundaries between contemporary art and music. He trained as a conductor and composer at The Juilliard School, Yale University, and the Peabody Institute. In recent years he has worked as a composer for Tino Sehgal, and Anri Sala among other artists.In his artistic practice Meyers explores the immaterial and social nature of music and searches at the same time for new formal and visual languages to display it.In his work the constant permutation of different levels of time and apace creates situations in which a 'series of futures' are produced - thereby modifying the present by opening endless possibilities.This pocket book interview between art historian, Marie-France Rafael and Ari Benjamin Meyers highlights a multifaceted body of work by an artist who works not only with different media, but also at the border of the arts.In this conversation, Meyers explains his artistic practice and reflects on his own status in the field of art, or what it means ti be a visual artist with musical training and history. Thus one of his principle artistic engagements is how to present and display music.
600 10 $aMeyers, Ari Benjamin,$d1972-
650 0 $aArt and music.
650 0 $aMusic in art.
700 1 $aRafael, Marie-France.
852 00 $bmus$hML3849$i.M49 2016g