Record ID | marc_columbia/Columbia-extract-20221130-025.mrc:127648538:2915 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-025.mrc:127648538:2915?format=raw |
LEADER: 02915cam a2200577 i 4500
001 12302255
005 20170117124316.0
008 160520s2016 enkg b 001 0 eng
010 $a 2016023675
020 $a9781107137899$qhardback
020 $a1107137896$qhardback
024 $a99969975527
035 $a(OCoLC)ocn946968074
035 $a(OCoLC)946968074
035 $a(NNC)12302255
040 $aDLC$beng$erda$cDLC$dYDXCP$dBTCTA$dOCLCO$dERASA$dYDX$dOCLCO$dOCLCF$dBDX$dHEBIS$dOCLCO
042 $apcc
043 $ae-fr---
050 00 $aML1727.2$b.H37 2016
082 00 $a782.10944/09032$223
100 1 $aHarris-Warrick, Rebecca,$eauthor.
245 10 $aDance and drama in French baroque opera :$ba history /$cRebecca Harris-Warrick.
264 1 $aCambridge, United Kingdom :$bCambridge University Press,$c2016.
300 $axx, 484 pages :$c26 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aCambridge studies in opera
520 8 $aSince its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. This book exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement is essential to understanding the work. The book considers the operas of Lully and the 46-year period between the death of Lully and the arrival of Rameau, when influences from the commedia dell'arte and other theatres began to inflect French operatic practices. It explores the intersections of musical, textual, choreographic and staging practices at a complex institution - the Academie Royale de Musique - which upheld as a fundamental aesthetic principle the integration of dance into opera.
504 $aIncludes bibliographical references and index.
600 10 $aLully, Jean-Baptiste,$d1632-1687.$tOperas.
630 07 $aOperas (Lully, Jean-Baptiste)$2fast$0(OCoLC)fst01359203
650 0 $aDance in opera$xHistory$y17th century.
650 0 $aDance in opera$xHistory$y18th century.
650 0 $aOpera$xDramaturgy.
650 0 $aOpera$zFrance$y17th century.
650 0 $aOpera$zFrance$y18th century.
650 7 $aDance in opera.$2fast$0(OCoLC)fst01940208
650 7 $aOpera.$2fast$0(OCoLC)fst01046145
650 7 $aOpera$xDramaturgy.$2fast$0(OCoLC)fst01046150
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
650 7 $aBarock$2gnd
650 7 $aOper$2gnd
650 7 $aTanz$2gnd
650 7 $aDramaturgie$2gnd
651 7 $aFrankreich$2gnd
648 7 $a1600-1799$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
830 0 $aCambridge studies in opera.
852 00 $bmus$hML1727.2$i.H37 2016
852 00 $bbar$hML1727.2$i.H37 2016