| Record ID | marc_columbia/Columbia-extract-20221130-025.mrc:129045878:2544 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-025.mrc:129045878:2544?format=raw |
LEADER: 02544cam a2200385Ii 4500
001 12304412
005 20170221150019.0
008 161121t20162016stkg b 001 0 eng d
019 $a949913153
020 $a9781474402927$q(hardback)
020 $a1474402925
035 $a(OCoLC)ocn950450645
035 $a(OCoLC)950450645$z(OCoLC)949913153
035 $a(NNC)12304412
040 $aBTCTA$beng$erda$cBTCTA$dYDXCP$dBDX$dERASA$dNLE$dOCLCO$dOCLCF$dZYU
050 4 $aML3849$b.S1815 2016
082 04 $a800
100 1 $aSampson, Fiona,$eauthor.
245 10 $aLyric cousins :$bpoetry and musical form /$cFiona Sampson.
264 1 $aEdinburgh :$bEdinburgh University Press,$c[2016]
264 4 $c©2016
300 $aviii, 232 pages :$bmusic ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aAn expanded version of the Newcastle Poetry Lectures, given at the University of Newcastle, 2009.
504 $aIncludes bibliographical references and index.
520 8 $aToday, poetry and art music occupy similar cultural positions: each has a tendency to be regarded as problematic, 'difficult' and therefore 'elitist'. Despite this, the audiences and numbers of participants for each are substantial: yet they tend not to overlap. This is odd, because the forms share early history in song and saga, and have some striking similarities, often summed up in the word 'lyric'.? These similarities include much that is most significant to the experience of each, and so of most interest to practitioners and audiences. They encompass, at the very least: the way each art-form is aural, and takes place in time; a shared reliance on temporal, rather than spatial, forms; an engagement with sensory experience and pleasure; availability for both shared public performance and private reading, sight-reading and hearing in memory; and scope for non-denotative meaning. In other words, looking at these elements in music is a way to look at them in poetry, and vice versa. This is a study of these two formal craft traditions that is concerned with the similarities in their roles, structures, projects and capacities.
650 0 $aMusic and literature.
650 0 $aPoetry$vMusical settings.
650 0 $aPoetry$xHistory and criticism.
650 7 $aMusic and literature.$2fast$0(OCoLC)fst01030479
650 7 $aPoetry.$2fast$0(OCoLC)fst01067691
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
852 0 $bglx$hML3849$i.S1815 2016g