MARC Record from marc_columbia

LEADER: 11129cam a2200769Ii 4500
001 12039756
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008 151222t20162016txua ob s000 0 eng d
035 $a(OCoLC)ocn933296540
035 $a(NNC)12039756
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020 $a9781477308370$q(electronic bk.)
020 $a1477308377$q(electronic bk.)
020 $a9781477308387$q(non-library e-book)
020 $a1477308385$q(non-library e-book)
020 $z9781477307960$q(cloth ;$qalk. paper)
020 $z1477307966$q(cloth ;$qalk. paper)
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020 $z1477308369$q(paperback ;$qalk. paper)
035 $a(OCoLC)933296540
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072 7 $aSOC$x044000$2bisacsh
082 04 $a305.868/720764$223
049 $aZCUA
245 00 $aEntre Guadalupe y Malinche :$bTejanas in literature and art /$cedited by Inés Hernández-Ávila and Norma Elia Cantú.
250 $aFirst edition.
264 1 $aAustin :$bUniversity of Texas Press,$c2016.
264 4 $c©2016
300 $a1 online resource (xviii, 473 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
520 $aMexican and Mexican American women have written about Texas and their lives in the state since colonial times. Edited by fellow Tejanas Inés Hernández-Ávila and Norma Elia Cantú, Entre Guadalupe y Malinche gathers, for the first time, a representative body of work about the lives and experiences of women who identify as Tejanas in both the literary and visual arts. The writings of more than fifty authors and the artwork of eight artists manifest the nuanced complexity of what it means to be Tejana and how this identity offers alternative perspectives to contemporary notions of Chicana identity, community, and culture. Considering Texas-Mexican women and their identity formations, subjectivities, and location on the longest border between Mexico and any of the southwestern states acknowledges the profound influence that land and history have on a people and a community, and how Tejana creative traditions have been shaped by historical, geographical, cultural, linguistic, social, and political forces. This representation of Tejana arts and letters brings together the work of rising stars along with well-known figures such as writers Gloria Anzaldúa, Emma Pérez, Alicia Gaspar de Alba, Carmen Tafolla, and Pat Mora, and artists such as Carmen Lomas Garza, Kathy Vargas, Santa Barraza, and more. The collection attests to the rooted presence of the original indigenous peoples of the land now known as Tejas, as well as a strong Chicana/Mexicana feminism that has its precursors in Tejana history itself.
504 $aIncludes bibliographical references (pages 437-458).
588 0 $aPrint version record.
505 00 $gIntroduction$tWomen of the Texas-Mexican Earth /$rby Ines Hernandez-Avila --$gI. Enterrando ombligos/Burying the Umbilical Cord: Tejanas in a Texas Land. /$rInes Hernandez-Avila$gIntroduction -- /$rGloria Anzaldua$tBorder arte: Nepantla, el lugar de la frontera -- /$rAlicia Gaspar de Alba$tTo Your Shadow Beast: In Memoriam -- /$rMargo Tamez /$tThe Equation of a Circle -- /$rSusan M. Guerra$tHoliday -- /$rJuanita A. Luna Lawhn$tMan without a Pen -- /$rOralia Garza de Cortes$tHija del mesquite -- /$rInes Hernandez-Avila$tThat's Tejana -- /$rMaria Limon$tSantiago -- /$rRaquel Valle-Senties$tGrowing Up in Laredo /$rEvangelina Vigil$tharbor -- /$rNorma Elia Cantu$tSouth Texas in July, 2014 -- /$rDeborah Paredez$tAlzheimer's Aubade -- /$rEnedina Casarez Vasquez$t¿Y que nos paso, Ama? -- /$rGloria Amescua$tFall into the Fig -- /$rSusana Renteria Almanza$tReflections of la Madre Tierra -- /$rMaria Silva$tChicana -- /$rCeleste Guzman Mendoza$tRepair -- /$rTeresa Palomo Acosta$tMy mother's thimble -- /$rLaura M. Lopez$tGrowing Up a Texas-Mexican Woman -- /$rAnel Flores$tSinverguenza on the Banks of the Water -- /$rEmmy Perez$tEl PasoẼl Valle -- /$rRaquel Valle-Senties$tRiver of Lost Dreams -- /$rPatrisia Gonzales /$tThe Pyramid I Call Home -- /$rRosemary Catacalos$tRed Dirt, Atascosa County, Texas -- /$rPaulita Huerta Garza$tAmorosamente les saludo -- /$rPat Mora /$tA River of Women.
505 00 $gII. Dolores profundos y la gracia de la vida/Deep Hurts and the Grace of Life. /$rInes Hernandez-Avila$gIntroduction -- /$rEmma Perez$tBetween Manifest Destiny and Women's Rights: Decolonizing Chicana History -- /$rYolanda Chavez Leyva$t"If a woman stands at the door you can't go in": Jovita's Story, April 1914 -- /$rBeva Sanchez-Padilla /$tThe Ballad of Emma Tenayuca -- /$rNorma Elia Cantu$tPara Manuela Solis Sager -- /$rMary Guerrero Milligan /$tLa mentira, or How I Got Through Texas History -- /$rTeresa Palomo Acosta$tCasas grandes -- /$rAurora Orozco$tNo me quites mi espanol (and translation) Idioma (and translation) -- /$rLaura Parra Codina$tMy Mother Used to Read to Me -- /$rMaria Herrera-Sobek$tSummertime Blues -- /$rJosephine Casarez$tBrown Trenzas Are for Mensas -- /$rD. Letticia Galindo$tMemories of West Texas -- /$rDomino Renee Perez$tAnticipating a New Life -- /$rMaria Herrera-Sobek /$tThe Immigrant's Lament -- /$rGloria Amescua$tNot the Last Pretender -- /$rLaura Parra Codina$tAqui en San Anto/Here in San Anto (author's translation) -- /$rCarmen Tafolla$tSomething Severed -- /$rBeatriz de la Garza$tAmber Waves of Grain -- /$rRosie Castro$tSan Antonio sin Marias -- /$rTammy Melody Gomez$tIt Is Possible -- /$rMary Margaret Navar /$tEl conquistador -- /$rAngela Valenzuela /$tThe Power of Difference -- /$rEdith Villalobos Silvas$tI Wanted Mexican but I Got H.E.B. Instead -- /$rMary Sue Galindo$tLa Elliott (1935-1970) -- /$rRosie Castro$tBrown Mother Full of Stars -- /$rMia K. Stageberg$tDaughters of Burning Sun.
505 00 $gIII. Arte y semblanza: Tejana Artivists. /$rNorma Elia Cantu$gIntroduction --$tSanta Barraza$tNora Chapa Mendoza$tCeleste De Luna$tCarmen Lomas Garza$tVeronica Ortegon '$tMaria Teresa Garcia Pedroche$tKathy Vargas$tTerry Ybanez --$gConclusion.
505 00 $gIV. All Our Relations: Our Connections to Land, Family, Friends. /$rNorma Elia Cantu$gIntroduction -- /$rSonia Saldivar-Hull$t(Re)Forming A Chicana Feminist: Transfrontera Memorias -- /$rOlivia Castellano$tTia -- /$rire'ne lara silva$ten trozos$tin pieces -- /$rInes Hernandez-Avila$tSkyway Dreams -- /$rSylvia Herrera$tAbreme la puerta -- /$rEmmy Perez$tWe, the Obsessed -- /$rMaria Herrera-Sobek$tAmorcito corazon -- /$rLiliana Valenzuela /$tA Chilanga Tejana Writer: Notes on the Geography of Shame -- /$rAida Hurtado$tShe/Woman/Man -- /$rB.J. Manriquez Segura /$tAn Understanding -- /$rEdith Villalobos Silvas$tNo More Trenzas -- /$rRosie Castro$tRole Model -- /$rEnedina Casarez Vasquez$tBad Hair Day -- /$rEvangelina Vigil$tnocturne: cuando el destino -- /$rDorotea Reyna$tMoustache -- /$rDeborah Paredez$tAt the VA Telemetry Ward -- /$rD. Letticia Galindo$tLonging for Tejas Blues -- /$rJuanita Luna Lawhn$tMy Mother's Cuartito -- /$rCeleste Guzman Mendoza$tDinner with Dad -- /$rAida Hurtado$tMothering I -- /$rRose Trevino$tSuenos argentinos$tArgentine Dreams (author's translation) -- /$rTammy Melody Gómez$tWoman and Pain -- /$rMaria Eugenia Guerra /$tThe Garden -- /$rTeresa Palomo Acosta$tForgiving Stephen F. Austin and the old three hundred -- /$rPaulita Huerta Garza$tViva la libertad: Mensaje a las mujeres$tLong Live Liberty: A Message to Women (translation by Norma E. Cantu) -- /$rPat Mora$tLet Us Hold Hands /$rNorma Elia Cantu$tTierra incognita -- /$rRosa-Linda Fregoso$tGhosts of a Mexican Past (excerpt) /$rAlicia Gaspar de Alba$tAsking for Pears: A Limpia Not Just a Love Poem.
505 00 $gV. (Auto)compromisos y comunidad: Gifts of Powerful, Conscious Loving. /$rInes Hernandez-Avila$gIntroduction -- /$rMargo Tamez /$tLa Dormilona Dreamt of Home from the Shore of Erie -- /$rLiliana Valenzuela$tHoy detengo el curso de los rios$tToday I Stop the River in Its Tracks (Translation by Fred Fornoff) -- Mary Sue Galindo$tYa lo veras -- /$rRosie Castro$tChicanas Never Feared -- /$rMaria Silva$tCon todo respeto para la raza mas apreciada, los chicanos (and translation) -- /$rTammy Melody Gomez$tIn Finite F Light -- /$rAida Hurtado$tBody I -- /$rD. Letticia Galindo$tTejana Tongues$tLenguas tejanas -- /$rNorma Elia Cantu$tCanto a la tierra /$rDorotea Reyna$tReina de copas -- /$rMary Sue Galindo$tIn Memory of My Departed Grandmother: Juanita Perez Mejia 08/25/03-03/11/93 -- /$rPat Mora$tOfrenda for Lobo: November 2, 1993 -- /$rBarbara Renaud Gonzalez$tFeliz Navidad, Daddy -- /$rEvangelina Vigil$tone dream of so many -- /$rLaura Parra Codina$tSoplame la vida /$rMary Margaret Navar$tPlegaria milenaria$tMillennial Prayer (translation) -- /$rire'ne lara silva$tone-sided conversations with my mother -- /$rSylvia Ledesma$tLuchando por libertad$tStruggling for freedom -- /$rRosemary Catacalos$tPicture Postcard from a Painter -- /$rB.J. Manriquez Segura /$tAn Omen -- /$rRaquel Valle-Sentíes$tCuando tu me besas$tWhen You Kiss Me (poet's translation) -- /$rSusan Guerra$tMy Woman and Her Bird -- /$rPaulita Huerta Garza$tTrozos de amor a la vida$tPieces of Love to Life -- /$rTeresa Palomo Acosta$tBecause faith has called me out -- /$rEvangelina Vigil /$tEl silencio -- /$rCarmen Tafolla$tHealing a Culture, AD 2000 --$gEpilogue$t!Adelante y con ganas! /$rby Norma Elia Cantu.
650 0 $aMexican American women$zTexas$xHistory.
650 0 $aWomen and literature$zTexas$xHistory.
650 0 $aMexican American artists$zTexas$xHistory.
650 6 $aAméricaines d'origine mexicaine$zTexas$xHistoire.
650 6 $aFemmes et littérature$zTexas$xHistoire.
650 6 $aArtistes américains d'origine mexicaine$zTexas$xHistoire.
650 7 $aSOCIAL SCIENCE$xDiscrimination & Race Relations.$2bisacsh
650 7 $aSOCIAL SCIENCE$xMinority Studies.$2bisacsh
650 7 $aSOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies$2bisacsh
650 7 $aMexican American artists.$2fast$0(OCoLC)fst01018932
650 7 $aMexican American women.$2fast$0(OCoLC)fst01019031
650 7 $aWomen and literature.$2fast$0(OCoLC)fst01177093
651 7 $aTexas.$2fast$0(OCoLC)fst01210336
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aHernández-Avila, Inés,$eeditor.
700 1 $aCantú, Norma E.,$d1947-$eauthor.
776 08 $iPrint version:$aHernández-Avila, Inés.$tEntre Guadalupe y Malinche.$bFirst edition$z9781477307960$w(DLC) 2015024074$w(OCoLC)913469871
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio12039756$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS