| Record ID | marc_columbia/Columbia-extract-20221130-025.mrc:132686218:1653 |
| Source | marc_columbia |
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LEADER: 01653cam a2200277 a 4500
001 12314255
005 20170117131108.0
008 161007s2016 be a b 000 0 eng d
020 $a9789492321244
020 $a9492321246
035 $a(OCoLC)ocn960463367
035 $a(OCoLC)960463367
035 $a(NNC)12314255
040 $aERASA$beng$cERASA$dJPG
050 4 $aPN1995.9.P6$bD43x 2016
082 04 $a791
100 1 $aDebuysere, Stoffel.
245 10 $aFigures of dissent :$bcinema of politics / politics of cinema /$cStoffel Debuysere.
260 $aGent :$bMer. Paper Kunsthalle,$cc2016.
300 $a255 p. :$bill. ;$c21 cm.
504 $aIncludes bibliographical references.
520 8 $aHow can the relation between cinema and politics be thought today? This question was the starting point for 'Figures of Dissent', a project consisting of an extensive series of discussions, dialogues and screenings that were organized by Debuysere over the course of four years. Some of the thoughts and doubts that have been simmering as a result of these encounters were expressed in the form of letters. This manuscript assembles six of those letters, addressed to fellow filmmakers, artists, producers and theorists. They are six tentative forms of study that blend various impressions, associations and digressions in an attempt to make sense of this conundrum that has been haunting the past century: how does the art of moving shadows pertain to the realities of political struggle?
650 0 $aMotion pictures$xPolitical aspects.
650 0 $aPolitics in motion pictures.
650 0 $aSocial problem films.
852 00 $bglx$hPN1995.9.P6$iD43 2016g