| Record ID | marc_columbia/Columbia-extract-20221130-025.mrc:138177712:3736 |
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LEADER: 03736cam a2200529 i 4500
001 12326222
005 20170221151031.0
008 150608s2015 enk b 001 0 eng
010 $a 2015022568
020 $a9781107117587$q(hardback)
020 $a1107117585$q(hardback)
024 8 $a40025521507
035 $a(OCoLC)ocn908418223
035 $a(OCoLC)908418223
035 $a(NNC)12326222
040 $aDLC$beng$erda$cDLC$dYDX$dYDXCP$dBTCTA$dOCLCF$dCDX$dPUL$dIUL$dGZM$dS3O$dUBY$dCHVBK$dOCLCQ$dYUS$dZWZ
042 $apcc
050 00 $aPR2982$b.K37 2015
082 00 $a822.3/3$223
084 $aLIT004120$2bisacsh
100 1 $aKarremann, Isabel,$eauthor.
245 14 $aThe drama of memory in Shakespeare's history plays /$cIsabel Karremann.
264 1 $aCambridge, United Kingdom :$bCambridge University Press,$c2015.
300 $axi, 209 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"This book analyses the drama of memory in Shakespeare's history plays. Situating the plays in relation to the extra-dramatic contexts of early modern print culture, the Reformation and an emergent sense of nationhood, it examines the dramatic devices the theatre developed to engage with the memory crisis triggered by these historical developments. Against the established view that the theatre was a cultural site that served primarily to salvage memories, Isabel Karremann also considers the uses and functions of forgetting on the Shakespearean stage and in early modern culture. Drawing on recent developments in memory studies, new formalism and performance studies, the volume develops an innovative vocabulary and methodology for analysing Shakespeare's mnemonic dramaturgy in terms of the performance of memory that results in innovative readings of the English history plays. Karremann's book is of interest to researchers and upper-level students of Shakespeare studies, early modern drama and memory studies"--$cProvided by publisher.
504 $aIncludes bibliographical references (pages 189-204) and index.
505 0 $aIntroduction: forms of remembering and forgetting in early modern England and on the Shakespearean stage -- 1. Media: oral report, written record and theatrical performance in 2 Henry VI and Richard III -- 2. Ceremony: rites of oblivion in Richard II and 1 Henry IV -- 3. Embodiment: Falstaff's 'shameless transformations' in Henry IV -- 4. Distraction: nationalist oblivion and contrapuntal sequencing in Henry V -- 5. Nostalgia: affecting spectacles and sceptical audiences in Henry VIII -- Conclusion: Shakespeare's mnemonic dramaturgy.
600 10 $aShakespeare, William,$d1564-1616$xHistories.
650 0 $aMemory in literature.
600 14 $aShakespeare, William,$d1564-1616.
650 7 $aLITERARY CRITICISM$xEuropean$xEnglish, Irish, Scottish, Welsh.$2bisacsh
600 17 $aShakespeare, William,$d1564-1616.$2fast$0(OCoLC)fst00029048
650 7 $aChronicle plays of William Shakespeare.$2fast$0(OCoLC)fst01352290
650 7 $aMemory in literature.$2fast$0(OCoLC)fst01787079
600 17 $aShakespeare, William,$d1564-1616.$0(DE-588)118613723$2gnd
650 7 $aHistorisches Drama.$0(DE-588)4025133-0$2gnd
650 7 $aEngland.$0(DE-588)4130320-9$2gnd
650 7 $aGeschichte.$0(DE-588)4156971-4$2gnd
650 7 $aGeschichtsbewusstsein.$0(DE-588)4020526-5$2gnd
650 7 $aEngelska historiska dramer.$2sao
650 7 $aMinnet i litteraturen.$2sao
600 17 $aShakespeare, William$d(1564-1616)$xCritique et interprétation.$2ram
856 42 $3Cover image$uhttp://assets.cambridge.org/97811071/17587/cover/9781107117587.jpg
852 00 $bglx$hPR2982$i.K37 2015