MARC Record from marc_columbia

LEADER: 02241cam a2200373Ii 4500
001 12354246
005 20171120152742.0
008 170113t20162016gw ac c 000 0 eng d
015 $aGBB5E0427$2bnb
020 $a9783775740500$q(hbk.)
020 $a3775740503$q(hbk.)
035 $a(OCoLC)ocn936652613
035 $a(OCoLC)936652613
035 $a(NNC)12354246
040 $aNLE$beng$erda$cNLE$dOCLCO$dYDXCP$dVGM$dGZN$dYDX$dOHX$dJPG$dOCLCQ
050 4 $aNC139.M79$bA4x 2016
082 04 $a741.092$223
100 1 $aMurrow, Ethan,$eartist.
245 10 $aEthan Murrow.
264 1 $aOstfildern, Germany :$bHatje Cantz,$c[2016]
264 4 $c©2016
300 $a119 pages :$billustrations, portraits ;$c29 x 29 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aChiefly illustrated.
505 0 $aIntroduction / Ethan Morrow -- The one and the many / Ruth Erickson -- Omniscient landscapes -- Prosceniums -- Interior monologue -- Index.
520 8 $aA man caught in and behind wallpaper, a chimpanzee in a lifeboat, mountain climbers and hikers in the middle of a polar sea à la Caspar David Friedrich: Ethan Murrow (*1975 in Greenfield, Massachusetts) plays with the dimensions we are familiar with and tells a scarcely conceivable story with each of his pictures. Their references lie in personal experiences, historical sources, or in the romanticizing landscapes of the Hudson River School, from which his fantasy springs. At first glance one believes to be looking at edited black-and-white photographs, until it quickly becomes apparent that these are meticulously prepared pencil drawings. Murrow examines the boundary between the artist#x92;s fiction and depicted reality. Yet this volume deals not just with his pencil drawings#x97;for the first time, one can also marvel at the extensive works he magically conjures on walls with a ballpoint pen.
600 10 $aMurrow, Ethan$vCatalogs.
650 0 $aPhoto-realism$vCatalogs.
700 1 $aErickson, Ruth,$ewriter of added commentary.
700 12 $iContainer of (work):$aMurrow, Ethan.$tDrawings.$kSelections.
852 00 $bfaxlc$hNC139.M79$iA4 2016g